United States
Even the successes can not push the film beyond one of its biggest flaws – it seems to be in a constant battle with itself on what it wants to be.
Whether you’re looking for ethical complexity or fascinating character studies, you won’t find it in Watchmen.
Allen v. Farrow – from the first episode to the last – has been an exercise in biased reporting, never representing both sides of the argument.
Even though I can feel everything is well-intentioned, little to none of it resonated. Thy movie is amiss.
A sturdy but familiar entry, Nobody hews so close to standards that it brings the whole genre into question.
Based on the 1892 Charlotte Perkins Gilman short story by the same name, The Yellow Wallpaper is a thriller that stumbles with uneven performances.
Charm City Kings is an expressionistic, powerful look at a neglected community that gets little attention on-screen.
Episode two of Allen v. Farrow looks into Woody Allen’s affair and eventual marriage of his former partner Mia Farrow’s adopted daughter.
Gold at the end of the rainbow, ancient magics, and leprechauns all to delight and even terrify. This was the goal of Mark Jones’ Leprechaun.
Cherry wants to be a movie about tragedy and weighty thematic issues but is too concerned with showing off for points on a scoreboard.
As it stands, episode one of Allen v. Farrow does not provide us with anything new or substantial that may change the outcome of the case.
Happily breathes new life into a story we have seen too many times through its unique twists to the classic structure and charming performances.
For the 60-year anniversary, Film Inquiry muses on Allen Baron’s noir film Blast of Silence and its existential prison of shadow and sound.
Hamilton Sterling’s Absent Now The Dead gives an avant-garde look into the world of the ancient Greeks and the Trojan War.
Monkey Bars is a must see short film with with its atmospheric, evocative score that adds to the anxiety of its scenes.