United States
The final moments of the film do work, but are ultimately not worth sitting through the slow-pace, bad jokes, and exposition-laden dialogue.
15 Things You Didn’t Know About Bigfoot (#1 Will Blow Your Mind) is a mockumentary satire exploring clickbait and cryptozoology in equal measure.
A sequel to What Happened in Vegas, Ramsey Denison’s newest documentary Money Machine examines the aftermath of the deadliest mass shooting in U.S. history.
Matt Rosenblatt’s 2020 short film Movie Night peeks in on a couple’s first date where they watch a horror movie. But what lurks on the video?
Presented virtually, Arlin Golden finishes his coverage of the documentaries that premiered at this year’s San Francisco International Film Festival.
Stowaway had the potential to be an incredible examination into the philosophy surrounding survival and hope, yet delivers with a lackluster presentation.
While it takes the series a few episodes to find its footing, it eventually settles into an even pace, supported by the strong performances and adaptation.
Sasquatch is a miniseries that you really need to experience, as each of the clues uncovered adds more to the intrigue of this long, strange trip.
A new documentary about Sesame Street and how catering to children’s education – as opposed to selling ad space – changed television.
While it might have become a bit dated along the way, Dead Silence is still a brilliant horror film to terrify.
As a scrappy horror, put together in difficult circumstances, its existence is impressive. Yet its merits as a film and a story, it lacks focus.
Sparing us a heavy-handed lecture, Gunda shows us why we should value animals for more than just their meat, and is all the more powerful for it.
Lead with strong performances, We Broke Up is a welcome twist on the traditional rom-com challenging audience assumptions.
Presented virtually, Arlin Golden takes a look at the documentaries that premiered at this year’s San Francisco International Film Festival.
Music is just another piece of the puzzle in forming the gross picture of ableism, placed with good intentions or lack of insight.