United States
Stowaway had the potential to be an incredible examination into the philosophy surrounding survival and hope, yet delivers with a lackluster presentation.
Sasquatch is a miniseries that you really need to experience, as each of the clues uncovered adds more to the intrigue of this long, strange trip.
A new documentary about Sesame Street and how catering to children’s education – as opposed to selling ad space – changed television.
While it might have become a bit dated along the way, Dead Silence is still a brilliant horror film to terrify.
As a scrappy horror, put together in difficult circumstances, its existence is impressive. Yet its merits as a film and a story, it lacks focus.
Sparing us a heavy-handed lecture, Gunda shows us why we should value animals for more than just their meat, and is all the more powerful for it.
Lead with strong performances, We Broke Up is a welcome twist on the traditional rom-com challenging audience assumptions.
Presented virtually, Arlin Golden takes a look at the documentaries that premiered at this year’s San Francisco International Film Festival.
Music is just another piece of the puzzle in forming the gross picture of ableism, placed with good intentions or lack of insight.
As captivating of an examination it is, Monday constantly threatens to lose its audience, its pace and lack of empathy disconnecting.
The sounds and the visuals are warm, especially if you are a fan, inviting you in not as a viewer but as a fellow lover of “liquid art”.
Dishonored may not be the most entertaining film in the von Sternberg-Dietrich cycle, but it is the most thoughtful and stealthily affecting.
Big Eden could have been a really cute romantic movie, but it gets hampered down and suffers from its own clunkiness.