United States
Walkaway Joe seems like little more than a run-of-the-mill kitchen sink drama with a nine-ball angle. But Wright’s film is remarkably poignant.
While it may not be as ambitious or as deep as it could have been, it is an exciting genre film with a charismatic performance from Angelina Jolie.
The Paper Tigers is an enjoyable action comedy exploring the different ways people change over time and the importance of protecting your family, be it blood or bond.
Wrath of Man fails to make the most of an inventive story structure and a typically solid Statham performance, smothered under layers of bland masculinity.
Robert Machoian’s The Killing of Two Lovers is an upcoming marriage drama starring Clayne Crawford, Sepideh Moafi, and Chris Coy.
The documentary as a whole is a brilliant lesson in ecology, humanity, and finding better ways to live comfortably without taking more than you give back.
With a shift to basketball, the new season of Last Chance U is a journey into the lives of student-athletes hoping to achieve their goals.
In spite of some reservations, and though it certainly demands patience, Hopper/Welles remains a treasure trove worthy of exploration.
With the TCM Classic Film Festival kicking off in May, Lee Jutton takes a look at Michael Curtiz’s Doctor X, one of the films playing.
Delivering solid and unforgettable performances from Glenn Close and Mila Kunis, Four Good Days is brilliantly done, and quietly effective.
The final moments of the film do work, but are ultimately not worth sitting through the slow-pace, bad jokes, and exposition-laden dialogue.
15 Things You Didn’t Know About Bigfoot (#1 Will Blow Your Mind) is a mockumentary satire exploring clickbait and cryptozoology in equal measure.
A sequel to What Happened in Vegas, Ramsey Denison’s newest documentary Money Machine examines the aftermath of the deadliest mass shooting in U.S. history.
Matt Rosenblatt’s 2020 short film Movie Night peeks in on a couple’s first date where they watch a horror movie. But what lurks on the video?
Presented virtually, Arlin Golden finishes his coverage of the documentaries that premiered at this year’s San Francisco International Film Festival.