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For its high-concept presentation, The Wanting Mare is not a very demanding picture but more of an invitation to a unique passion.
Looking back on Chris and Paul Weitz’s 2002 comedy About a Boy, one can’t help but find a perfect pandemic watch.
The Conjuring: The Devil Made Me Do It is a different breed of horror, but is still just as beautiful and engaging.
The Fast & Furious movies are camp in a way we feel in our bones but have been trained by decades of narrow-minded definitions to deny.
For 45 years, the film was believed to be lost, but George Romero’s film has now resurfaced, and The Amusement Park is definitely worth a visit.
John Krasinski’s A Quiet Place Part II fails to live up to the expectations and high standards that the first movie has established.
Kirby Voss’ We All Think We’re Special is an intensely authentic and palpably distressing drama about the pains of addiction.
In the latest installment of Queerly Ever After, we take a look at 2016’s Fair Haven, a well-acted conversion therapy drama.
A winning teen comedy with star-making performances from its two leads, Plan B has plenty of fun and heart to offer.
Film Inquiry sat down to talk with filmmaker Danielle Lessovitz ahead of the release of her new film, Port Authority.
It mostly delivers on the thrills and kills, providing enough of a jolt of energy to satisfy genre fans.
Cruella is a welcome return to the good, dark, bold filmmaking that we haven’t seen in a long time from Disney.
Lisey’s Story is a miniseries of magic, both in what it explores universally, but also what it generates internally.
Fans of Snyder will undoubtedly find value in it, with moments where the director is allowed to play to his strengths, but they’re far and few between.
Despite its immense charm in its animation, music and characters, there are vital story elements in Arlo the Alligator Boy that are lacking.