United States
Family Portrait captures the underlying sense of menace seeping into the monotony of everyday life that characterized the early days of the pandemic.
It has a lot of charm and it’s refreshing to see something playing by its own rules and not following a rigid formula.
Brats is a reminder old wounds can calcify and scab over turning into the foundation for something all the more beautiful.
From Tribeca Film Festival 2024, Soham Gadre takes a look at CHAMPIONS OF THE GOLDEN VALLEY, BAM BAM: THE SISTER NANCY STORY & THE WEEKEND!
Children in War contributes a clear-eyed, disciplined, and eloquently forceful rejection of every lie and excuse ever conjured for the justification of war.
Reading Rainbow cultivated an environment that was safe for kids and equally empowering — it engendered curiosity.
Wildcat becomes a lens through which to see beauty and empathize with one of our great American writers – and what a gift it is.
It’s truly difficult to qualify the beast of an experience that is Megalopolis, and because of that, there’s an undefinable elegance.
With I Saw the TV Glow, Jane Schoenbrun stakes their claim as the preeminent chronicler of those specific horrors inherent in coming of age as a millennial.
Even with as slow and frustrating as the first half of it was, New Life was still a fun watch.
Hundreds of Beavers is a comedic masterpiece, delivering non-stop hysterical sight gags, formal ingenuity, and cathartic woodland violence.
Formerly the realm of big-budget blockbusters, the subgenre of underwater thrillers has been flooded with relentless low-budget pictures.
Kung Fu Panda 4 has lost some of its mojo, but still has a few nice moves left in this old franchise.
With Easter just around the corner, it felt like the perfect time to check The Omen off my list.
Society of the Snow delivers a powerful narrative that transcends the screen, prompting audiences to contemplate the depths of human endurance.