United States
While it might feel out of touch with reality, it’s in the more personal aspects of his story that it manages to keep itself from falling off the deep end.
Despite a strong first half, Old, the latest nightmare from M. Night Shyamalan, quickly falls apart in the second half.
Slow and overall boring, Till Death only slightly leans into the intensity and intrigue it promises.
J.C. Calciano’s Is It Just Me? is a gay romantic-comedy of chat rooms, miscommunication and false identity.
Fear Street Part Three: 1666, the third part of a trilogy, ties everything perfectly back to the first two films.
A creative exploration of the legacy of Moholy-Nagy, an artist who never became a household name and yet whose life’s work is nonetheless ever-present.
On it’s 25th anniversary, Orson Welles’ oeuvre The Stranger towers over the thrillers with which it’s so often been unfairly bundled over the years.
Based on performances alone, it is a memorable coming-of-age tale, and it is a step in the right direction when it comes to destigmatizing mental illness.
Fear Street: Part Two – 1978 is a charming and at times, heartfelt horror film, but its moments of horror are often hidden from the viewer, creating a film that does not fully embrace its potential.
With its uneasy blend of action, comedy, and familial drama, Gunpowder Milkshake is ultimately an underwhelming movie.
With excellent performances, gentle direction, and an incredibly moving musical score by Alexis Grapsas and Philip Klein, Pig was a big surprise.
Fear Street Part One: 1994 is a fun, energetic slasher with enjoyable characters, an interesting overarching plot, and heartfelt relationships.
Externo is a definite recommendation for those searching for something out of the ordinary in terms of storytelling and high concept.
With No Sudden Move, Steven Soderbergh has crafted a fun and twisty neo-noir that makes the best of its ensemble cast.
When it comes to shark-themed suspense films, it’s safe to say Great White won’t be joining the greats.