United States
From stunning performances all around, Coda is perfection from start to finish, keeping audiences engaged through humor, heart and genuine craftsmanship.
The Suicide Squad is a magnificent blend of gore, heart, and humor that engages its audience instantly with strong performances, and breathtaking visuals.
The chemistry between Bogart and Bacall and Howard Hawks’ storytelling have turned The Big Sleep into a lasting classic.
Barley even a movie, Longhorns is just terrible, lacking any redemption – and there really isn’t that much else to say.
Homeroom is empowering and it is inspiring, bringing a fresh perspective to the events of 2020 and to the future.
While it is less gory, especially in the film’s conclusion, it leaves a twist and an ending that speaks to the possibility of more films to come.
Not everyone will be won over by the weirdness of Annette, but for those who are, they will absolutely love it.
Under the Volcano chronicles the life of “Fifth Beatle” Sir George Martin’s secret recording studio in the Caribbean.
Naked Singularity tries to connect the legal and sci-fi elements of its story but ends up not quite capturing either aspect of the film.
The Green Knight is an immersive, beautifully photographed if sometimes frustratingly structured fantasy adaptation.
Written and directed by Edson Oda in his directorial debut, Nine Days is as thoughtful as it is beautiful, as heartbreaking as it is jovial.
Jungle Cruise is far from cringe or embarrassment, and sure, it’s never actively terrible. But the bar shouldn’t be set this low.
Horrific Inquiry looks back on Sleepaway Camp, one of the most successful independent films ever made, and its societal lens on young women.
The Boy Behind the Door boasts some incredible shots, framing marrying with its lighting, crafting intrigue, and lasting impressions.
While it might feel out of touch with reality, it’s in the more personal aspects of his story that it manages to keep itself from falling off the deep end.