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If you haven’t had the chance to see this Burton classic, there isn’t a better time than now to embrace the folklore of Sleepy Hollow.
The Last Duel is a comfortable return to the medieval genre with tense battle sequences and an urgent takedown of a misogynistic system.
Despite the occasional meandering of the script, much of the film feels like an honest search for peace and a sense of balance in life.
Despite some improvements over the previous film, The Addams Family 2 still feels stuck in the first gear of safe animated adaptations.
With a breezy 85-minute runtime, there is always enjoyment to be found with such an impressive cast.
The Harder They Fall is a confident and engaging debut, staying just on the right side of story versus style with the entertaining tale of revenge.
Edited from decades of footage that were self-shot by Kilmer himself, Val is an extraordinary piece of filmmaking.
Bright and peppy, The Wachowski’s Speed Racer is a bonafide live-action cartoon and well worth a second look.
With strong performances, The Power of the Dog delivers on its promise, offering a solid narrative tale of strength, masculinity and grief.
In this week’s installment of Horrific Inquiry, we take a look back at George A. Romero’s 1968 masterpiece, Night of the Living Dead.
The Velvet Underground wields the hands of time, recapturing and evolving into a time capsule of art within a new wave style of documentary.
With an eclectic cast and unique form of storytelling, The French Dispatch is one of the most light hearted ventures of the year.
The Many Saints of Newark, a prequel film to The Sopranos, never quite reaches the heights of its television show predecessor.
In the years since its release, Scream has proven itself to be a staple of a genre and an undeniable part of horror cinematic history.
Elevated by excellent performances, minimalist interpretation of the visuals, and sound design that is larger than life, The Tragedy of Macbeth soars.