United States
The Many Saints of Newark, a prequel film to The Sopranos, never quite reaches the heights of its television show predecessor.
In the years since its release, Scream has proven itself to be a staple of a genre and an undeniable part of horror cinematic history.
Elevated by excellent performances, minimalist interpretation of the visuals, and sound design that is larger than life, The Tragedy of Macbeth soars.
In this Queerly Ever After we visit the 2013, Pit Stop: a simple, slice-of-life story about two men coming together amidst the backdrop of their small town.
With The Humans, director Stephen Karam uses cinematic space and language to transform his play into one remarkable film.
As it is, Cry Macho is the type of story that Eastwood has both told and portrayed better in the past.
From the ghosts that inhabit the home to the outstanding performance of Matthew Lillard, Thirteen Ghosts is sure to have a little something for all.
Denis Villeneuve brings Frank Herbert’s Dune – the best-selling science fiction novel of all time – to the silver screen.
The Card Counter, the latest film from writer/director Paul Schrader, is very much a companion piece to his earlier, existentialist efforts.
Kristy Strouse shares her first report with three films from Toronto International Film Festival, all female and directorial debuts.
Sion Sono’s English-language debut stars Nicholas Cage as a criminal forced to track down the granddaughter of an Old West-meets-Mad Max warlord.
A bloodbath cleverly executed through its gore, narrative and technical execution, Malignant is the horror film of the year, one that promises a terrifying and demented edge-of-your-seat experience from start to finish.
The Wheel, Steve Pink’s latest directorial venture, sees him zeroing in on a young couple and their messy, crumbling marriage.
We Need to Do Something is a cringeworthy experience providing audiences a graphic examination of abuse coupled with the intricate craftsmanship of horror.
Despite some predictable plotlines, it doesn’t take away from the quality, experience, and entertainment The Uninvited promises to its audience.