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Between its seemingly inconsistent mythology and a confusing timeline, Double Walker forces the audience to work harder to appreciate its strengths.
While it doesn’t dig as deep as one may hope, Becoming Cousteau is an honest yet engrossing portrait of one of the most iconic explorers.
While it may not live up to the bar set, Scream 2 delivers a solid sequel that not only expands the rules of horror but lays the groundwork for the trilogy.
New York Ninja feels destined to become a cult classic, the kind of film playing in the background at raucous house parties and neighborhood dive bars.
Spencer is fictitious, yet grounded in reality, a prolific examination of mental health through isolation and suffocation of tradition and restraint.
Out of the countless productions of The Scottish Play that exist, Coen definitely brings something new to the table.
Christmas on the Carousel is an entertaining Christmas romantic drama with strong performances.
When it comes down to it, perhaps The Harder They Fall just attempts to do too much, and doesn’t quite have the necessary balance and patience.
While flawed, Chloe Zhao’s Eternals features the Marvel Cinematic Universe’s most emotionally satisfying story since Black Panther.
In the first Animation Sensation, Dallas Marshall reviews Wizards, that while flawed, is worth checking out just for its audaciousness alone.
Trick ‘r Treat lives up to its reputation taking the traditions of the holiday and wielding them into a horrific tale of lore, murder, and revenge.
Dune is a fine adaptation that works on the basic levels of storytelling and entertainment that Hollywood builds its backbone on.
House on Haunted Hill is a classic in its own right, exhibiting the ability for horror to remain timeless.
David Gordon Green’s sequel to Halloween, Halloween Kills, is an aggravating, unnecessary, and horribly misguided feature.
In this week’s Queerly Ever After, we take a look at 2011’s What Happens Next, a romantic comedy where the romance outpaces the comedy.