United States
Out of the countless productions of The Scottish Play that exist, Coen definitely brings something new to the table.
Christmas on the Carousel is an entertaining Christmas romantic drama with strong performances.
When it comes down to it, perhaps The Harder They Fall just attempts to do too much, and doesn’t quite have the necessary balance and patience.
While flawed, Chloe Zhao’s Eternals features the Marvel Cinematic Universe’s most emotionally satisfying story since Black Panther.
In the first Animation Sensation, Dallas Marshall reviews Wizards, that while flawed, is worth checking out just for its audaciousness alone.
Trick ‘r Treat lives up to its reputation taking the traditions of the holiday and wielding them into a horrific tale of lore, murder, and revenge.
Dune is a fine adaptation that works on the basic levels of storytelling and entertainment that Hollywood builds its backbone on.
House on Haunted Hill is a classic in its own right, exhibiting the ability for horror to remain timeless.
David Gordon Green’s sequel to Halloween, Halloween Kills, is an aggravating, unnecessary, and horribly misguided feature.
In this week’s Queerly Ever After, we take a look at 2011’s What Happens Next, a romantic comedy where the romance outpaces the comedy.
If you haven’t had the chance to see this Burton classic, there isn’t a better time than now to embrace the folklore of Sleepy Hollow.
The Last Duel is a comfortable return to the medieval genre with tense battle sequences and an urgent takedown of a misogynistic system.
Despite the occasional meandering of the script, much of the film feels like an honest search for peace and a sense of balance in life.
Despite some improvements over the previous film, The Addams Family 2 still feels stuck in the first gear of safe animated adaptations.
With a breezy 85-minute runtime, there is always enjoyment to be found with such an impressive cast.