United States
Dune is a fine adaptation that works on the basic levels of storytelling and entertainment that Hollywood builds its backbone on.
House on Haunted Hill is a classic in its own right, exhibiting the ability for horror to remain timeless.
David Gordon Green’s sequel to Halloween, Halloween Kills, is an aggravating, unnecessary, and horribly misguided feature.
In this week’s Queerly Ever After, we take a look at 2011’s What Happens Next, a romantic comedy where the romance outpaces the comedy.
If you haven’t had the chance to see this Burton classic, there isn’t a better time than now to embrace the folklore of Sleepy Hollow.
The Last Duel is a comfortable return to the medieval genre with tense battle sequences and an urgent takedown of a misogynistic system.
Despite the occasional meandering of the script, much of the film feels like an honest search for peace and a sense of balance in life.
Despite some improvements over the previous film, The Addams Family 2 still feels stuck in the first gear of safe animated adaptations.
With a breezy 85-minute runtime, there is always enjoyment to be found with such an impressive cast.
The Harder They Fall is a confident and engaging debut, staying just on the right side of story versus style with the entertaining tale of revenge.
Edited from decades of footage that were self-shot by Kilmer himself, Val is an extraordinary piece of filmmaking.
Bright and peppy, The Wachowski’s Speed Racer is a bonafide live-action cartoon and well worth a second look.
With strong performances, The Power of the Dog delivers on its promise, offering a solid narrative tale of strength, masculinity and grief.
In this week’s installment of Horrific Inquiry, we take a look back at George A. Romero’s 1968 masterpiece, Night of the Living Dead.
The Velvet Underground wields the hands of time, recapturing and evolving into a time capsule of art within a new wave style of documentary.