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Following in the footsteps of a long line of road movies, Queen & Slim takes the genre in a new direction, adding its own original flavour.
The Mummy remains a classic staple of horror and the mummy genre, transforming itself to immortality of cinematic history.
Last Survivors may fade to the recesses of your mind, but for a moment it may make you reevaluate your own idea of survival.
Kogonada’s science fiction drama set in a world of robotic children stars Colin Farrell, Jodie Turner-Smith, and Justin H. Min.
With God’s Country, director Julian Higgins takes an introspective dive into the underbelly of humanity’s darker instincts.
On this Animation Sensation we discuss the 1998 animated film The Prince of Egypt.
Free Chol Soo Lee tackles many subjects, but the way that it puts Chol Soo’s story and his tragedies front and center is exceedingly effective.
Tiktok, Boom looks at the general landscape of social media. Shalini Kantayya’s documentary explores widely but rarely dives too deep.
In our latest report from Sundance Film Festival 2022, Wilson Kwong reviews Fresh and Worst Person in the World – both films demanding attention.
Delivering all the thrills, strong performances and intense handheld camerawork, 892 comes with an agenda and call to action in mind.
Scream is a knock-out success, showcasing the power horror inductions can still wield through modernization and an honoring of the past.
While filled with gorgeous shots of the desert landscape, Borrego fails to engage its audience.
The release of Scream 5 is almost here! But first, we need to take a moment to look back on the final Scream installment Wes Craven would work on: Scream 4.
Black Christmas is not the knock-out holiday film you might be craving, but it entertaining to say the least.
Even more so than its celebratory aspects, Harold and Maude holds a special place in my heart because of what it meant to me when I first watched it.