United States
On this Animation Sensation we discuss the 1998 animated film The Prince of Egypt.
Free Chol Soo Lee tackles many subjects, but the way that it puts Chol Soo’s story and his tragedies front and center is exceedingly effective.
Tiktok, Boom looks at the general landscape of social media. Shalini Kantayya’s documentary explores widely but rarely dives too deep.
In our latest report from Sundance Film Festival 2022, Wilson Kwong reviews Fresh and Worst Person in the World – both films demanding attention.
Delivering all the thrills, strong performances and intense handheld camerawork, 892 comes with an agenda and call to action in mind.
Scream is a knock-out success, showcasing the power horror inductions can still wield through modernization and an honoring of the past.
While filled with gorgeous shots of the desert landscape, Borrego fails to engage its audience.
The release of Scream 5 is almost here! But first, we need to take a moment to look back on the final Scream installment Wes Craven would work on: Scream 4.
Black Christmas is not the knock-out holiday film you might be craving, but it entertaining to say the least.
Even more so than its celebratory aspects, Harold and Maude holds a special place in my heart because of what it meant to me when I first watched it.
Bursting with much of the iconic lore and characters as well as being the most meaningful of Peter Parker stories, Spider-Man: No Way Home delivers.
While the movie itself is not without its bumps , there is always a new adventure, a new gag, a new moment of blissful sweetness just around the corner.
New Year is an exemplary artistic showcase of the power of dialogue and performance, wrapped in a tightly constructed celluloid of truth.
Combined with Vaughn’s ability, there’s a genuine surprise to this entry that may make this the best of the series.
Adam McKay has crafted a harsh examination of our treatment and lack of action of the environment we live in, one that is sure to push the conversation.