United States
In the end, more of a thriller than a deep thought piece, Asking for It will leave you asking for more
If you can go along with all its winking and ribbing of rock culture, there’s enough self-deprecating, decapitating humor for a bloody fun meta-horror.
This animated short addresses the ridiculous entitlement of people who believe that Native culture is a fad for them to consume.
Promoted as being based on a true story, The Texas Chainsaw Massacre reached into the recesses of the mind, pushing audience expectations to a new level.
Unnecessary and poorly planned out, Texas Chainsaw Massacre is a sequel easily dismissed, the power of what made the original clearly forgotten.
A crazy, colorful film, Strawberry Mansion is worth a visit, even if at some points it seems on the verge of collapsing around you.
Even watering down some rather interesting character dynamics, Sing 2 adds more of everything, the good and the bad.
We are Living Things crafts something beautiful, even when it’s hard to adjust to.
Valentine was never meant to be a deep well of thought within a slasher, but it does, even when it leaves much to be desired.
Do you want a pick me up without a lot of stakes? Go for Murderville.
Inventing Anna is an engaging and mesmerizing story of exploration, desperation, psychology, and redemption. A Binge-worthy venture.
On this Away From the Hyper, Sean Fallon takes a look at the 2006 horror-comedy Snakes on a Plane!
In his final Sundance coverage, Kevin Lee reviews Call Jane and Emily the Criminal.
Sundance 2022 has lots of horrors, enjoying a blend of scares with real sobering commentary about the world today. Kevin Lee reviews Master & Resurrection.
There is much to take in when watching, its final reveal an unsuspecting twist, yet seemingly not as powerful in retrospect as one would have hoped.