United States
A crazy, colorful film, Strawberry Mansion is worth a visit, even if at some points it seems on the verge of collapsing around you.
Even watering down some rather interesting character dynamics, Sing 2 adds more of everything, the good and the bad.
We are Living Things crafts something beautiful, even when it’s hard to adjust to.
Valentine was never meant to be a deep well of thought within a slasher, but it does, even when it leaves much to be desired.
Do you want a pick me up without a lot of stakes? Go for Murderville.
Inventing Anna is an engaging and mesmerizing story of exploration, desperation, psychology, and redemption. A Binge-worthy venture.
On this Away From the Hyper, Sean Fallon takes a look at the 2006 horror-comedy Snakes on a Plane!
In his final Sundance coverage, Kevin Lee reviews Call Jane and Emily the Criminal.
Sundance 2022 has lots of horrors, enjoying a blend of scares with real sobering commentary about the world today. Kevin Lee reviews Master & Resurrection.
There is much to take in when watching, its final reveal an unsuspecting twist, yet seemingly not as powerful in retrospect as one would have hoped.
Following in the footsteps of a long line of road movies, Queen & Slim takes the genre in a new direction, adding its own original flavour.
The Mummy remains a classic staple of horror and the mummy genre, transforming itself to immortality of cinematic history.
Last Survivors may fade to the recesses of your mind, but for a moment it may make you reevaluate your own idea of survival.
Kogonada’s science fiction drama set in a world of robotic children stars Colin Farrell, Jodie Turner-Smith, and Justin H. Min.
With God’s Country, director Julian Higgins takes an introspective dive into the underbelly of humanity’s darker instincts.