United States
Ahead of its time, Cat People may have a slow start, but it is rich in cinematic history and horrific craftsmanship.
Blonde has and will continue to infuriate audiences, yet is a film that can be studied for not only the continued dominating male gaze, but for the need of women to tell women’s stories.
Nothing seemed more fitting for the fall equinox than Fritz Kiersch’s adaptation of Stephen King’s classic Children of the Corn.
Newly restored, Life is Cheap… But Toilet Paper is Expensive can be overwhelming, and even unpleasant – but it’s incredibly unique.
A giddy glimpse at medieval girlhood that isn’t without substantial emotional weight, it is a fun film that the entire family can enjoy.
While Don’t Worry Darling has some very good perks it ultimately tries to work with too many ideas without giving them one direction.
Living with Chucky welcomes newcomers into the fold, encouraging a new generation to embrace the revitalization of Chucky.
It all started with Brian de Palma’s Carrie, and Stephen King became a household name.
The Woman King is a powerful tale of sisterhood and freedom; freedom from patriarchal influences, freedom from slavery.
While The Other Side of Things succeeds as a love letter to the American Dream, it does not succeed as a film, feeling more like an advertisement.
While Student Body might not scare the average horror fan, it’s a good reminder of the untapped potential of how much sheer terror mascots can contain.
With a lack of dramatization in the story, Empire of Light only has its fantastic performances and technical components to keep it afloat.
Though it falls into some psychological thriller tropes, Baby Ruby gets its message across thanks to a phenomenal performance by Noémie Merlant.
Few movies at this year’s Toronto International Film Festival seemed to elicit as much division among viewers as The Whale. T