United States
Little Odessa is not only a sobering look at a first generation Brooklyn family, but is also the best gangster film you’ve never heard of.
Hulu’s Grimcutty is a creepypasta made tangible, a horror tale with much more going on than your standard monster movie or slasher.
Without Gandolfini, without any sort of revelation, we’re left with a movie that sort of resembles The Sopranos but feels more like a cheap knock off.
While Terrifier 2 lacks some of the tension of the original, this long, surreal sequel makes up for it with scene after scene of showstopping gore.
Unpredictable and unapologetically violent, Terrifier may seem like a B-horror, but it is far from it.
The first 90 minutes of David Gordon Green’s Halloween Ends easily outweigh most of the films that have come before it.
In our latest report from the 2022 Heartland International Film Festival, Emily Wheeler reviews Dear Zoe, Corsage, Close and Me Little Me!
Featuring incredible performances all-around, and some of the best writing you’re going to see this year, The Banshees of Inisherin not one to miss.
In our last report from the 2022 Heartland International Film Festival, Emily Wheeler reviews four more films!
With a frightfully fun cast, a tight script, and a thematically relevant approach to its violence, Bodies Bodies Bodies is great slasher fun.
While it might lose its way at times, ultimately, The Whale is a fascinating story anchored by an incredible performance from Brendan Fraser.
Slayers is an entertaining enough horror comedy with some standout performances, but the film’s satire and themes lose some of its charm.
Where Michael Myers was the boogie man of the late 1970s, Freddie Krueger was for the 80s.
All the Beauty and the Bloodshed is one of the most moving and vulnerable documentaries I have had the opportunity to see.
It speaks volumes when a filmmaker can reach its audience, inspiring them to speak out more, and Is That Black Enough For You?!? does just that.