United States
Cocaine Bear is funny, and full of plenty of laughs, shocks, and gore in its short runtime.
She Came from the Woods takes the horror genre and turns it a bit sideways, combining nearly every trope we got in the 80’s into one film.
Despite an uneven tone, Quantumania mostly works as an enticing superhero adventure.
This film may be a remake of the 1981 classic but it creates its own identity, carving out its own place within the horror genre.
Little Dixie has little moments of thrill amid a sufficient yet standard crime story that Frank Grillo glides through with guns and chainsaws.
While Your Place or Mine finally brings these two stars together, it fails to truly reach the mark of success.
Stolen Youth is a vital docuseries in both the world of criminal segments and in the world of psychology.
Malignant embraces the true cult sensibility that M3gan only gestures to, serving up a wildly entertaining and singular cinematic experience.
Despite running a mere 72 minutes, Jethica’s story comes full circle in a way that feels incredibly satisfying — so really, what do you have to lose?
Shyamalan’s Knock At The Cabin finds new ways to explore old ideas, deviating slightly from his usual formula while still making you frightfully uneasy.
The Outwaters is a movie you won’t soon forget, becoming a definitive part of the rolling word of mouth marketing.
In the latest report from the 2023 Sundance Film Festival, Kevin L. Lee reviews The Pod Generation and Landscape With Invisible Hand!
For all of its innovative mythology, humorous story beats, and well-fleshed-out characters, it plays as a bit of an oddity compared to a typical ghost story.
While Sick may not be the grade-A horror film it wants to be, it is an enjoyable watch, with a few surprises, and some great visual creations.
In the latest report from the 2023 Sundance Film Festival, Wilson Kwong reviews Sometimes I Think About Dying and A Little Prayer!