United States
American Fable doesn’t quite strike all the right chords, lacking just one spark that might have turned this movie into a lasting cult classic.
![[RE]DEFINED: A Complex Story In Simple Terms (& Interview With Writer/Director, Danae Grandison)](https://www.filminquiry.com/wp-content/uploads/2017/03/redefined-1.jpg)
Danae Grandison’s [Re]Defined is a 10-minute short film that dives into the nitty gritty of adolescent life, leaving few doors unopened.
With the release of the FX series Feud, there’s no better time to revisit Robert Aldrich’s histrionic horror, What Ever Happened To Baby Jane.
An independently-funded film that is a delightful homage to ’90s romantic comedies, Non-Transferable is a hopeful sign of cinema to come.
Robert Klein Still Can’t Stop His Leg is a loving insight into the world of influential but sadly unknown stand-up comedian Robert Klein.
Life certainly nails its big moments, but it’s frustrating that what could have been a memorable classic handicapped itself with hapless characters.
God Knows Where I Am lacks the necessary energy, yet successfully tackles the issues of freedom and the unnecessary loss of life.
Bokeh is a stripped down take on a dystopian apocalypse- and like the best sci-fi, offers a bleak commentary on modern society.
Dig Two Graves is a visually stunning low budget Gothic thriller, which is effectively surreal and compelling.
While not as perfect as the original, Beauty & the Beast is an elegant and magnificent display that true love for a film never dies.
Despite controversy due to its depiction of Christian beliefs, The Shack is a success, delving into complicated issues in a creative way.
Before I Fall is a young adult adaptation that manages to stand apart from the rest, presenting a lavishly told thriller about high schoolers.
The Last Word is an easy, funny watch, with great performances from MacLaine and Seyfried, but on the whole, isn’t very substantial.
Don’t Kill It is a throwback to 1980s horror, in addition to updating some of the rather outdated tropes found in those types of films.
Instantly captivating and undeniably intriguing, Get Out may be the “diamond in the rough” film of the year.