United States
The Amy Schumer hate train has been gaining momentum as of late. Her hard political…
Despite bringing to life some previously unseen perspectives on the holocaust, The Zookeeper’s Wife is far from faultless.
Yellow Fever wants to be an important film about Asian identity, however it falters and falls back on tired Hollywood plots and stereotypes.
With an interesting premise & gorgeous visuals, A Cure For Wellness sadly gets bogged down by its 130 minute runtime and poor story delivery.
Though with timely themes and a fine cast/director, The Circle attempts to do too much with its material, instead ending up as lost potential.
Small Crimes’s script fails to capture the continuity of Zeltserman’s novel, and Katz doesn’t make the transition any smoother at the helm.
Guardians of the Galaxy Vol. 2 pales, in some ways, to its predecessor, yet it has just enough charm and heart to make up for its pitfalls.
Silver Skies shows us how full of love, passion, friendship and fun the lives of the elderly are, and how we can learn from this depiction.
Tracktown, by Alexi Pappas and Jeremey Teicher, is a cutesy, generic, unfunny indie film, with an array of underdeveloped themes.
Before I Wake feels like a parody of director Mike Flanagan’s more successful work, prioritising emotional manipulation over story and scares.
Sleight offers great commentary about the lack of opportunities for minority communities – yet ironically never lets its hero use his powers.
Tramps may be a rom-com story we’ve all seen before, but it’s done with charming and nuanced touches that make it a joy to watch.
With poor direction, effects and performances across the board, The Black Room is unbearably difficult to sit and watch.
Not all the jokes in Fist Fight land, but the film still works surprisingly well as a satirical exploration of the American education system.
In this edition of the nominated film you may have missed series, we discuss the classic 1961 sports drama The Hustler, starring Paul Newman.