United States
We had a chance to talk with Johnny O’Reilly, director of the upcoming drama Moscow Never Sleeps, a film that’s very politically relevant.
It Comes at Night is a disturbingly effective horror film, delving into themes of paranoia, fear, and distrust in an eerily relevant way.
Andrew Cohn’s documentary Night School tells a largely positive story about American poverty, but depends too much on its captivating subjects.
While it doesn’t address the female role, On A Knife Edge is a deep insight into the life of the Native American, that is sure to enlighten.
Everything, Everything follows Maddy, who has spent her entire life confined to her home due to an illness, but falls for the boy next door.
With fine performances and biting humor, Catfight is an interesting satire, delving into power struggles and the human condition.
Diary of A Wimpy Kid: The Long Haul fails from a dreadful script that possesses the unique ability to make 90 minutes feel like an eternity.
Paint it Black is an impressive debut from director Amber Tamblyn, with strong performances shining brighter than the visual quirks.
Jenkins, Gadot and company all worked admirably to bring the first Wonder Woman film out in a grand, exciting way, and that work has not gone to waste.
Old Enough is an affectionately accurate depiction of how it feels to grow into an age when the opinions of friends are all that matters.
Speech & Debate isn’t great, but is enjoyable despite its plot holes, and features a great performance from Sarah Steele.
So Yong Kim’s Lovesong is a minimalist, strikingly formed small-scale drama about two female friends slowly falling in love.
While The Wizard of Lies is overly long and brings nothing new to Bernie Madoff’s story, Robert De Niro’s performance more than makes up for it.
Though blessed with a talented cast, Baywatch is overall a shipwreck, due to its rudimentary, unfocused script and few laughs overall.
Alien: Covenant takes a valiant attempt at re-creating the magic from the original, but ultimately falters from screenplay to screen.