United States
In our latest entry of The Nominated Film You May Have Missed series, we discuss the 2005 political drama Good Night, and Good Luck.
It’s rare that a film will come along and synthesize the era we live in so succinctly as Miguel Arteta’s Beatriz At Dinner.
As given by its name, A Ghost Story is a supernatural tale, yet it touches on themes of love and grief in a uniquely beautiful way.
There’s a way, many ways, actually, to make a satisfying film about a lighthearted romp, but Paris Can Wait never finds any of these paths.
While I Am Jane Doe suffers from some questionable editing and music choices, it is a significant film that deserves global recognition.
Frank Vs. God delivers a solid thought provoking film about a man who loses everything and fights against the term “act of good”.
The only thing to “Be Afraid” of is the lack of originality in this uninteresting horror effort from director Drew Gabreski.
Documentary distributors Dogwoof continue their hot streak with this fascinating inside look at Ronald Reagan’s presidency.
47 Meters Down is a total shark sandwich of a film, that will leave every audience member wishing they were watching Jaws instead.
Julie Dash’s 1991 debut still feels like an eye opening experience when viewed over 25 years later- you need to let it in to your life.
The Book of Henry is strange from its outset, and its lack of redeeming characters or strong emotional moments doesn’t much help matters.
The Autopsy of Jane Doe has an absolute doozy of a premise, but it soon gives way to ticking off every horror cliche in the book.
Baby Driver is a joyous summer film, an indelible sugar rush that is further proof that Edgar Wright is the true saviour of popcorn cinema.
Rough Night starts weak- but with a decent amount of laughs and a deconstruction of gender tropes, it soon becomes a breath of fresh air.
The Seeker is a testament to Cloud Cult’s commitment to exploring new heights in the synergy between music and visual artistry.