United States
Marjorie Prime is a subtly effective and wondrous glance at the potential ramifications of the future of artificial intelligence technology.
From Hollywood to Rose is a perfectly unpolished little gem that draws you in without you even realizing it until the end.
John Waters’ 1974 camp comedy pushed audiences out of their comfort zones, via a raucous celebration of queerness at its most unconventional.
We’re addressing what other people are saying about Okja – in particular, its most common criticisms, and why they’re wrong.
Sure, it’s a terrible film, yet Silent Night, Deadly Night 2 has elements to make it an entertaining cult classic in the making.
Any advocate for the sustainable farming industry will enjoy director Laura Dunn’s documentary Look & See: A Portrait of Wendell Berry.
Birthright: A War Story is a powerful study of the limits on a woman’s reproductive health, ranging from abortion to lesser-discussed issues.
Devoid of any subtlety and bereft of a strong plot, the fact that a film so reductive as Blind was made this recently is quite shocking.
Basically, Despicable Me 3 is a lackluster reworking of what worked in the previous films, with more jokes and less heart.
Abraham Lincoln: Vampire Hunter shocks and surprises as it makes you think twice about Lincoln’s true identity.
Spider-Man: Homecoming is a refreshingly comedic and lighthearted superhero film, but it doesn’t quite work as part of a larger universe.
Whitney: Can I Be Me focuses more on the context and hidden traumas of Whitney’s life than the music itself, but that’s no bad thing.
Good Fortune tells the rags to riches story of billionaire John Paul DeJoria, and how he dedicates his time and funds to good causes.
The feminist undertones, stunning performances,cinematography and costuming more than make up for The Beguiled’s shallow story line.
Amir Bar-Lev’s devotion for the Grateful Dead is a clear, but his skill makes Long Strange Trip a movie that even non-believers can appreciate.