United States
Lacking substance or exploration of themes, The Bad Batch is a pointless post-apocalyptic, psychedelic trip to nowhere-land.
The Dark Tower may not be a complete disaster, but it has numerous flaws that weigh down what could have been an entertaining film.
Another entry in the continuing trend of independent horror, Cut Shoot Kill just manages to stand out amongst the masses.
Whose Streets? is a black story told by black voices, presenting a perspective that has remained elided in mainstream debate over black bodies and lives.
Although unashamedly made for the youngest audiences possible, Captain Underpants is infectiously charming to all ages.
A wonderful debut from essayist Kogonada, Columbus is as much about slowing down and taking stock of your life as it is a slow burn in itself.
Though with the talented Halle Berry at the helm, Kidnap is a poorly made action thriller that is lacking in story, acting, and execution.
Gook is an irresistible film that manages to breathe new life into a narrative set within the confines of this particular historical setting.
Gerard Butler’s attempts to shake off his action hero image in A Family Man are commendable, but he is miscast in this saccharine drama.
Brave New Jersey is a fictional yet charming look at the aftereffects of Orson Welles’ famous War of the Worlds broadcast on a small town.
Atomic Blonde may be sloppy in structure, but it is oozing with immaculately executed action and a finely tuned performance by Theron.
Landline’s Gillian Robespierre & Jenny Slate understand that female characters can do unlikable things while still earning our empathy.
Kuso, though visually interesting at times, is ultimately too disgusting to recommend, and seemingly has no purpose behind it.
Although not a life changing film, let alone a particularly memorable one, Fun Mom Dinner has enough charm to keep you entertained.
Turn It Around is a nostalgia piece for those who lived it, a film for the fans to enjoy and a tribute to the man who set it all in motion.