United States
Detroit to be an eye-opening, courageous piece of film whose subject manner is a timely reminder of our lack of societal change.
Wind River is a haunting and wonderfully acted murder mystery that casts light on the inequality within Native American communities.
Wetlands chronicles one man’s inauspicious return home in an attempt to make amends with his family and restart his cop career.
The Wilde Wedding is host to such a large ensemble that no plot or joke lands, and sadly suffocates the talent of all involved.
Despite its great practical effects, the once compelling twists have now become overdone in Saw III and are not as shocking as they once were.
It is a wonderfully acted and gruesome adaptation of King’s novel, even if the scares sometimes detract from its overall effectiveness.
Rat Film delves into the history of Baltimore’s city planning and the bigotry that has perpetrated on the African-American population.
25 years later, director Penny Marshall’s A League Of Their Own remains that rare thing: a sports movie with female characters to look up to.
Patti Cake$ is the true sleeper hit of the 2017 summer movie season, and here’s to hoping that it continues to build momentum as it makes its way to home video.
Sidemen is a lovingly crafted documentary telling the history of 3 underappreciated musicians, and helps keep the spirit of the blues alive.
It’s abundantly clear that Year By The Sea is composer Alexander Janko’s directorial debut, as its characters are underdeveloped and predictable plot-lines are lost amidst the beautiful scenery of Cape Cod.
Is This Now is a perplexingly bad movie, rife with awkward tonal shifts, poor camerawork, unbelievable acting, and a very unfitting ending.
Despite a winning performance from Lola Kirke, it looks like Fallen’s destiny is to be assigned to the scrapheap of YA movie history.
Saw II might not be as strong or as fresh as its predecessor, but it has enough about it that works, making it a guilty pleasure watch.
SHOT CALLER: A Terrifyingly Accurate Castigation Of White Supremacy
What Shot Caller lacks for, narratively, it makes up for in its complex character study guised as a prison drama, expertly exposing human nature’s animalism.