United States
It may take certain liberties with the truth, but Professor Marston and the Wonder Women is still an enjoyable, inspirational biopic.
Only the Brave is more concerned with its traditional gender politics than making any grander statement on man’s relationship with nature.
Despite belonging in the overdone sub-genre of found footage, Hell House LLC manages to just stand out amongst the masses.
Whilst it has many problems, Maya Dardel is a prickly, contentious and fascinating film that knows with absolute certainty what it is.
Happy Death Day is a fun slasher film that likens back to the slasher days of old, albeit with a Groundhog Day twist.
Expertly performed by the dynamic duo of Rooney Mara and Ben Mendelsohn, Una proves to be a searing – though discomfiting – watch.
While neither boring or a laugh-riot, Crash Pad is a perfectly fine and forgettable way to pass ninety minutes.
An Inconvenient Sequel may struggle narratively, but its message about coming together to battle climate change is as important as ever.
The Bachelors is a scarcity of a film, one that transcends several genres to create an affecting orotundity through its singular voice.
Will You Be My Witness? proves to be an enjoyable slice of entertainment with a deeper message, suitable for all fans of the pop performer.
Surprisingly, Saw VI seems to have learned from previous entries; with a plot of its own, it manages to be the stand out of the franchise.
Our Souls at Night an important reminder that there are still plenty of stories worth telling in the twilight years of one’s life.
While not as memorable as other spy-thrillers, American Assassin is entertaining and solid enough with high intensity and relentless action.
Premiering back in 2004, Saw is a landmark horror film, launching a multitude of sequels in addition to an entire sub-genre of horror.
Rebel in the Rye is interesting when looked at from a writer’s perspective, but unfortunately doesn’t work as a cohesive biopic.