United States
Mayhem is a culmination of film, art, historical and current affairs references, genre juxtapositions, and effective stylized filmmaking.
Despite some flaws, Suburbicon is still a riot of a good time, poking fun at the inherent obscurity of the American Dream in a unique way.
Evil Dead 2 succeeds in finding the twisted humor within the horror genre and makes the film a memorable exercise of cartoonish entertainment.
Rodents Of Unusual Size is a lesson in just how much a canny filmmaker can fit into a documentary that’s barely an hour long.
An Oscar worthy documentary, Dina is an entertaining film unique in its portrayal of the people behind the autism label.
If nothing else, Te Ata triumphs at breathing new life into a legend, and allowing us the pleasure of re-experiencing her vital legacy.
No Dress Code Required is a politically charged but impressively intimate look at one gay couple’s fight for the right to marry.
Despite a strong premise, The Unraveling is a film that doesn’t quite go to that dark place that it should, with poor writing and acting.
Every year, between five to ten movies are bestowed the honor of being nominated by…
Tao Raspuli’s Monogamish asks the viewer to challenge their own pre-conceptions on relationships, with an effective, non-judgemental eye.
Despite big, loud, planet destroying special effects, Geostorm still ends up feeling like a dull, tired excuse for a blockbuster.
Brad’s Status is a film about social media that is bolstered by its performances, but ultimately it is not particularly memorable.
Feeling both vitally important and imminently personal, The Light of the Moon is as remarkable as its title is poetic – and twice as powerful.
It may take certain liberties with the truth, but Professor Marston and the Wonder Women is still an enjoyable, inspirational biopic.
Only the Brave is more concerned with its traditional gender politics than making any grander statement on man’s relationship with nature.