United States
Ekaj captures the reality of LBGTQ youth that find themselves discarded by life. When their…
Despite a chilling concept and a serviceable lead performance, The Faith Community still leaves a lot to be desired.
The skillfully obtuse Infinity Baby withdraws from a usual comic routine and commits to its outrageous nature wholeheartedly.
The Only Living Boy in New York is a competently directed film pulled down by a mediocre script and relying too heavily on melodrama.
Heal is a documentary for everyone, whether one considers themselves an optimist, pessimist, believer in a higher power, atheist, or otherwise.
Princess Cyd is a low-key marvel; a warm-hearted examination of the ways that we relate to one another whilst dealing with our differences.
With a weak and unfocused plot, Todd Haynes’s Wonderstruck feels like a love letter that isn’t quite sure who it’s addressing.
With Bombshell: The Hedy Lamarr Story, Alexandra Dean shows who Lamarr truly was: a genius inventor who was denied recognition most of her life.
The heart of Daddy’s Home 2 is lost by formulaic tendencies and its overbearing insistence on being funny. It’s no future Christmas classic.
Wonder may have all the trappings of passable family-friendly fare, but it is jumbled, unfocused, and far too unbelievably sappy.
The Florida Project offers a unique and essential glimpse into contemporary poverty in America, encompassing both its wonders and hardships.
Three Billboards Outside Ebbing, Missouri is a funny yet brutal film, presenting complex quandaries of grief, violence, and rage.
Mudbound is a gorgeous and affecting film, regarding themes of racism and the after effects of war in 1950s Mississippi.
Regardless of the context it’s currently being viewed in, Louis C.K’s I Love You, Daddy,…
Justice League has its flaws, but is outweighed by its superb direction, decent dialogue and the bonding of its heroes throughout.