United States
Ruby Gillman, Teenage Kraken doesn’t make a huge splash, but it does tread well enough to be an enduring animated film for those still in the kiddie pool.
Asteroid City is stylistically undifferentiated from most of Anderson’s recent output but it does take the audience behind the curtain.
From Fantastic Mr. Fox to The French Dispatch, something strange and different happens every time and Asteroid City is no different.
Lynch/Oz is a very film 101 documentary, one which aims to open doors for the performer, lover, and cinema enigma that is Lynch.
Evil Dead is brutally violent and unrelentingly gory, yet it is also the work of an artist with a passion for the craft.
While Minted presents intrigue in both the product and the artists behind them, it struggles to become a cohesive unity of art and information.
A Woman of Paris is a romantic drama that is equal parts engaging and tragic, with performances that are as impactful today as they were a century ago.
The Space Race captures the journey of space flight though the unrelenting spirit and resilience of the black community.
The Line is a well-oiled stress machine with its depiction of this pervasive, casually cruel facet of college life.
Common Ground is deeply impactful, becoming the vital eye opening documentary it needs to be.
Making a good double feature, Payton McCarty-Simas reviews He Went That Way and Dead Girls Dancing!
Fantastical yet relatable, Bucky Fucking Dent is a moving debut by David Duchovny.
Despite being better than previous entries, it still has some rust that holds it back from being anything more than an average summer blockbuster.
There’s lots of potential in Taylor Mac’s 24-Decade History of Popular Music, but only Taylor Mac fully lives up to it.
Sadly, the film’s attempts to generate tone and intrigue can’t overcome the obstacles of a weak, confusing script.