United States
Ulam leaves your mouth watering for the vibrant flavors but most of all a longing to experience the lively spirit that exists within the Filipino community.
With an engaging but slightly sluggish story, fine acting, and a committed crew, The Catcher Was a Spy mostly succeeds as both a tense espionage film and a biopic.
Matthew Heineman’s The Trade is an exposé of the highest calibre, examining up-close a crisis with no tangible solutions.
Despite its empowering story, and fine performances by Michael Greyeyes and Jessica Chastain, Woman Walks Ahead is an unfortunately forgettable endeavor.
Distorted leaves viewers with a disjointed, unoriginal story, a made-for-tv feel, and underwhelming thrills, with the only saving graces being the presence of Ricci and Cusack.
With Thunder Road, viewers witness the birth of a comic actor who could very well grow into one of the finest of this generation.
In this guide, we introduce you to the world of Marvel across four distinctive yet interconnected TV series on Netflix. It’s a journey worth taking.
Mannered, but direct, like the institution it portrays, Ex Libris is an open book that invites any inquiring mind to explore its many avenues.
Ant-Man and the Wasp is an enjoyable blend of superhero action and familial comedy, with a strong central cast to make everything work well together.
Boom For Real is an eye-opening look at how one unique artist was molded and inspired by the time and place in which he lived.
The Year of Spectacular Men might spin its wheels and veer off course, but there’s still some fun to be had by these spectacular women.
Sicario: Day of the Soldado is an empty shell of a flick, one that tries to emulate the success of the first but lacks all the components that made it so brilliant.
By showing Cecil Beaton the respect he deserves, while also not shying away from the less pleasant sides of his personality, Love, Cecil is a perfect tribute to all of the contrasting sides of this multifaceted, multi-talented artist.
Hard to comprehend, The Icarus Line Must Die has a strange dream-like atmosphere that seemingly evades definition.
Eighth Grade is the messiness of the teenage experience confidently articulated by a first time filmmaker with an innately humanist streak.