United States
Shot over three years, Miao Wang’s Maineland depicts the cultural struggles of students arriving from China to study in Maine.
With Support the Girls, Andrew Bujalski continues to grow as a filmmaker, creating a film where the genuine heart afforded to its characters doesn’t compromise the pragmatism of the worldview.
Sweetback’s rage is infectious, especially since the relations between the police and the black community have changed so little since the film’s release.
Filled to the brim with a talented cast and with wonderful dance sequences, Mamma Mia! Here We Go Again is as lovely and vivacious as the original.
Skyscraper is the perfect model of an uninspired action film: a mediocre idea saddled with mediocre characters and mediocre action.
With a crowd-pleasing setup, hilarious performances and a much-needed sense of simplicity, Uncle Drew delivers in an unexpected and hilarious way. %
1985 is a miracle of a film, one that pays tribute to an era, a generation past, and a culture that fueled the progress of LGBTQ civil rights for decades to come.
A Prayer Before Dawn boasts a fantastic central performance from Joe Cole, but unfortunately, wastes an astonishing true story in favour of genre cliches.
As a first-time feature for writer/director Stephan Littger, Her Composition is ambitious and full of earnest affectivity.
For sheer distinctiveness of vision, and for the visceral portrayal of how it feels to be bullied, director Deborah Haywood deserves plaudits for Pin Cushion.
Enchanting and eye opening, Won’t You Be My Neighbor will perfectly captivate and engage viewers, showcasing the power to affect change.
The Legacy of a Whitetail Deer Hunter is undeniably a missed opportunity, a film that nails a certain tone and feel without putting all the pieces together.
Ulam leaves your mouth watering for the vibrant flavors but most of all a longing to experience the lively spirit that exists within the Filipino community.
With an engaging but slightly sluggish story, fine acting, and a committed crew, The Catcher Was a Spy mostly succeeds as both a tense espionage film and a biopic.
Matthew Heineman’s The Trade is an exposé of the highest calibre, examining up-close a crisis with no tangible solutions.