United States
Night Comes On is a compelling depiction of loss, America’s system set up to fail people of color and the resilience of the human soul.
There’s certainly fun to be had with this deeply silly slice of R-rated raunchiness, yet The Spy Who Dumped Me struggles to balance its crass brand of humor with shocking bursts of carnage.
With complicated and charismatic women at its center, Madeline’s Madeline manages to keep you hooked and never stops being fascinating to watch.
Some may argue that Ripe, as with the previous three hours, takes the idea of ‘show, don’t tell’ a little too far; but that very concept is what ensures that Sharp Objects is the most compelling piece of work currently on television.
Scotty and the Secret History of Hollywood is a delightful look behind the curtain at a side of Hollywood kept so long in the dark.
My Erotic Body shows that a woman’s true erotic self is not defined by a specific body type, age, or what society deems as attractive.
The Equalizer 2 takes the raw entertainment value of the original film, inverts it into something unflinchingly brutal, removes the quirks of its main character, and builds to an anticlimactic final battle.
Unfriended: Dark Web shows that by tapping into modern communication, it’s possible to create a new cinematic language for the slasher sub-genre.
Mission: Impossible – Fallout finds Tom Cruise once again flying through action setpieces for our amusement; it is more than worth the ride.
Perhaps it’s due to the burden of excited expectations, but ultimately the sum that is Generation Wealth is never able to surpass its 25 years of parts.
%%excerpt%% The Insufferable Groo is an endearing and often funny profile of an amateur filmmaker who’s equally inspiring as he is narcissistic.
Airing the first three episodes at once, we’re able to get a good grasp on Castle Rock’s core tale, without fully knowing the depths of this thrilling new series by creators Sam Shaw and Dustin Thomason.
Puzzle takes us along the creation, through each piece, discarding those that don’t belong, and finding a colorful compromise.
Shot over three years, Miao Wang’s Maineland depicts the cultural struggles of students arriving from China to study in Maine.
With Support the Girls, Andrew Bujalski continues to grow as a filmmaker, creating a film where the genuine heart afforded to its characters doesn’t compromise the pragmatism of the worldview.