United States
Who is America? doesn’t know if it wants to remain apolitical, embarrass right-wing figures, or take down the president – and its lack of focus is its downfall.
With a distinctly nineties feel, An L.A. Minute is surreal and thought-provoking, even in its imperfect moments.
If what you’re after is a mainstream horror film with scares that come thick and fast, save your money and skip Slender Man.
Boarding School follows in suit with the continued reinvigoration of the horror genre, breaking away from the cliché and introducing new scares.
A striking cautionary tale with authentic performances, Searching is a small thriller whose computer-screen gimmick actually elevates its subject matter.
It almost feels as though “The High Cost of Loathing” should have been The Venture Bros.’ season premiere, with the previous three episodes being a self contained trilogy.
Bonding creates thoughtful and memorable characters and showcases their work in a positive light leading towards self-discovery and the building of relationships, both romantic and platonic.
Instead of living up to its Godard and Whedon-esque aspirations, Blood Fest shoots itself in the foot, delivering cliche after cliche in a formulaic, hopelessly grating package.
Team WahlBerg’s latest effort Mile 22 is abysmal, wasting the talents of all parties involved for a schlocky, aggressive shoot ‘em up picture.
Don Hertzfeldt’s 2012 animation is an authentic depiction of depression, mental illness and mankind’s relationship with the universe.
With its dedicated cast, some awe-inspiring cinematography, and a gripping survival story at its center, Alpha is a far better film than one would expect to find.
Along Came the Devil balances haunting imagery and genuine scares with a realistic story about family, tragedy, and overcoming loss
Christopher Robin offers visual wonder, even if its storyline suggests you may have needed to experience adulthood to truly appreciate it.
Despite its worn-out political commentary, The King is a quietly revolutionary music documentary.
Strike, Dear Mistress, and Cure His Heart is too reliant on its use of narration, but still manages to capture the horror of dysfunctional relationships.