United States
Bob Lazar: Area 51 & Flying Saucers takes for face value the fact that UFOs exist is the least of its problems – the poor quality of filming and story do far more damage at derailing the narrative.
After 15 years, Elf is still undeniably a warm and charming Christmas film, still retaining its spot as a holiday favorite.
While it has the right foundation to create a raw and emotional story that leaves you with something to ponder Maine will leave you unfulfilled and possibly apathetic.
Trust Machine: The Story of Blockchain from director Alex Winter is a ride worth taking and asking how will you imagine the world.
Unfortunately, the ill-conceived story of Ben is Back does not shine light on the opiod crisis, creating a seedy, underground world that the uninitiated can never comprehend.
The Clovehitch Killer is a creepy coming-of-age serial killer noir with a well-written script, three-dimensional characters and a career performance by Dylan McDermott.
If you’re forced to watch The Christmas Chronicles with your family this holiday season, hold on for that Kurt Russell musical number and you’ll be just fine.
Anyone outside of the teenage demographic will be left rather annoyed with The American Meme, not by Marcus’ talents but the talents within the documentary itself.
Family horror Clara’s Ghost skillfully holds the audience in its grip, and while Clara may be the focal point of the film, it is an excellent family study.
Thanks to its inventiveness, effective execution and originality, All the Creatures Were Stirring is bound to be another Christmas horror classic.
A comedy with Haddish, Sumpter and Goldberg is a nice idea, but Nobody’s Fool soon makes you realize that you have been cat-fished.
While Creed II does not reach the fantastic heights of Creed, it still puts up plenty of fight to prove itself worthy.
Owing mostly to the funny duo of Mark Wahlberg and Rose Byrne, Instant Family somewhat succeeds, though its switch to full-out drama by the end is jarring, to say the least.
Newly reissued via Kino Lorber, screwball comedy Nothing Sacred and delicate domestic drama Made for Each Other show two sides of Carole Lombard.
Robin Hood seems to have a set of requirements to meet, and it gives the bare minimum when meeting them.