United States
Adam McKay’s Vice is at its best when it mixes information with entertainment and leaves out all of the preaching.
Paris, Texas readily evokes a bit of the ruggedness of the Old West, reflecting the degradation of this vast country as much as the austere beauty.
Even the creative use of an iconic object of terror doesn’t help to elevate Scarecrows above any other generic slasher.
With Criterion’s Blu-ray, True Stories will satisfy old fans and find new ones, just as every generation eventually discovers the Talking Heads.
Elliot the Littlest Reindeer may distract a two year old for a couple of hours, but it’s definitely not a Christmas movie for the whole family to enjoy.
Mary Poppins Returns is the uninspired cash-in Disney have become synonymous with, posessing none of the endearing strangeness of the 1964 original.
A mostly forgettable endeavor, The Possession of Hannah Grace is a misfire and a reminder of just what happens when you take a similar concept and do it better.
Bob Lazar: Area 51 & Flying Saucers takes for face value the fact that UFOs exist is the least of its problems – the poor quality of filming and story do far more damage at derailing the narrative.
After 15 years, Elf is still undeniably a warm and charming Christmas film, still retaining its spot as a holiday favorite.
While it has the right foundation to create a raw and emotional story that leaves you with something to ponder Maine will leave you unfulfilled and possibly apathetic.
Trust Machine: The Story of Blockchain from director Alex Winter is a ride worth taking and asking how will you imagine the world.
Unfortunately, the ill-conceived story of Ben is Back does not shine light on the opiod crisis, creating a seedy, underground world that the uninitiated can never comprehend.
The Clovehitch Killer is a creepy coming-of-age serial killer noir with a well-written script, three-dimensional characters and a career performance by Dylan McDermott.