United States
Love it or hate it, Captain Marvel gives an empowering ethos, secured with a talented cast that makes this movie-going experience on par with previous entries.
In our second review from SXSW 2019, Hazem Fahmy reviews The Beach Bum – a fantasy with no real-life application.
After an enormously successful debut with Get Out, Jordan Peele delivers another bold film with Us, and seems to be creating a whole new genre.
Rocking the Couch charts 100 years of abuse claims in the film industry, asking how far Hollywood has come since the silent era.
The Last Walk, a short film by Anna Hoover, is a heartbreaking, but beautiful tribute to the land for which it captures.
More of a Meh-vel than a Marvel, but this first Captain Marvel film gives hope for stronger sequels in the future.
Greta is an acquired taste that will frustrate some viewers while others will revel in its campy absurdities.
Films about serious illness have a tightrope to walk, to find the right balance for…
Fighting With My Family is a lovely little British gem and while it’s not perfect, Merchant shows admirable potential as a director.
The failure of They All Laughed marked the end of the New Hollywood era, but Bogdanovich’s screwball fantasy urgently needs a reevaluation.
1 Billion Orgasms feels like the behind-the-scenes footage that is supposed to accompany the feature presentation.
Under the Eiffel Tower just doesn’t have the spirit that a rom-com needs, feeling like a first draft that should have never seen the light of day.
Isn’t It Romantic is not a game-changer in the romantic comedy sub-genre, but it’s a proud statement by Wilson that everyone should get behind.
Wrestle relies entirely on familiar story beats and its subject matter, shining in individual moments but not adding up to a satisfying whole.
Lady Bird is one of the best modern coming of age stories, but the greatness likely stems from the small scenes many audiences might miss.