United States
Babygirl’s depictions of kink, while surface-level can ultimately be read as an intricate and compelling portrait of powerplay as direction.
Strange Darling is fresh and original, a thriller for the ages on an indie budget.
I realized many years ago that Illumination’s animated films are all about gags over stories.…
Black Can is worth a one time watch, if for no other reason than to see Nick Frost really let loose.
Woman of The Hour did an amazing job of capturing a time and place while still keeping it relevant for today’s world.
While it may be highly satisfying to watch while its puzzlebox is winding through its narrative gears, Heretic is a box with nothing hidden inside.
Another Day in America is a sharp social commentary with explosive performances and a searing snapshot of everyday life.
Hold Your Breath is a fantastic film and at a short runtime, what do you have to lose to give it a shot?
Jenny Pen is a cold-eyed excavation of one of the basest fears humanity possesses: That life, in all its triumphs, is a meaningless house of cards.
Generation Terror proves a refreshing revitalization of the nuances under all the blood and guts, as well as the guts themselves.
Smile 2 may occasionally overdo it with its over-the-top approach, and it contains a scattershot plot, but its strength lies in its presentation.
King’s books are often made into films,and they can be hit or miss depending on who made them. The new Salem’s Lot is the latter.
Despite its inconsistent storytelling and wooden performances, Night of the Harvest offers a certain charm that inspires appreciation for filmmaking.
Through its rich mix of dark comedic elements and deeper psychological questioning, something fascinating is evoked in A Different Man.
While Apartment 7A far exceeds the 1978 sequel and the 2014 remake of Rosemary’s Baby, it neither lives up to the suspense or the politics of the original.