United Kingdom
The Night House is a kaleidoscope of creaks and whispers, playing with anticipation and stretching it as far as it can go.
Ryan Andrew Hooper’s The Toll is a Welsh Western that takes its cues from Clint Eastwood’s Unforgiven and flips them on their head.
In the No Time To Die Countdown, Jake Tropila takes a look at A View to a Kill, the final James Bond film starring Roger Moore.
As we wait for No Time To Die, Jake Tropila takes a look at Never Say Never Again, the only unofficial James Bond film starring Sean Connery.
When it comes to shark-themed suspense films, it’s safe to say Great White won’t be joining the greats.
Framed has just the right amount of suspense, drama, and romance to make it work, with a wonderfully written dialogue.
Ryan Reynolds, Samuel L. Jackson, and Salma Hayek return in the crime-comedy, The Hitman’s Wife’s Bodyguard.
Queerly Ever After #54 focuses on 1998’s Like It Is, a clunky-yet-endearing romantic drama set in Blackpool, England.
Looking back on Chris and Paul Weitz’s 2002 comedy About a Boy, one can’t help but find a perfect pandemic watch.
Astonishingly, Feel Good Season 2 gets darker and more uncomfortable without abandoning its humorous reprieves.
The Man in the Hat is a whimsical and playful film told through the mostly dialogue-free journey of a man played wonderfully by Ciarán Hinds.
Wrath of Man fails to make the most of an inventive story structure and a typically solid Statham performance, smothered under layers of bland masculinity.
Karl Holt’s Benny Loves You is a madcap feature debut that toys with a man-child’s inability to let go of childhood.
As a scrappy horror, put together in difficult circumstances, its existence is impressive. Yet its merits as a film and a story, it lacks focus.
As captivating of an examination it is, Monday constantly threatens to lose its audience, its pace and lack of empathy disconnecting.