After Love, serviceably directed but only marginally engrossing, feels too much like a long wait for a heavy hammer to fall.
Its absurdity may run its course, but proves not every aspect of Jack Frost needs to be put on ice.
Lady Chatterley’s Lover will surprise audiences with how much investment in its characters it is able to achieve.
Is The Eternal Daughter a scary movie in the traditional sense? No, but it will send shivers down your spine and into your soul.
A Gaza Weekend is a timely parable that extends an open invitation to empathise with the “other”.
The Killing Tree had the potential to be an over-the-top Holiday horror classic, but the practical effects moments are overshadowed by bad CGI.
The Banshees of Inisherin is one of Martin McDonagh’s greatest and most assured efforts as a filmmaker yet.
Featuring incredible performances all-around, and some of the best writing you’re going to see this year, The Banshees of Inisherin not one to miss.
In our last report from the 2022 Heartland International Film Festival, Emily Wheeler reviews four more films!
On some level, it feels like a cinematic equivalent of the anti-establishment political cartoons that were once so pervasive in cultural discourse.
This dispatch features two great films involving passionate love affairs — but, apart from that, they could not be more radically different.
The London Film Festival is back for another year and our first despatch covers a military coup and, just maybe, one of the great scenes I’ve ever seen.
All That Breathes captures the noble effort to save the Black Kites, transforming from a humanitarian venture to a broad-scale look.
A giddy glimpse at medieval girlhood that isn’t without substantial emotional weight, it is a fun film that the entire family can enjoy.
With a lack of dramatization in the story, Empire of Light only has its fantastic performances and technical components to keep it afloat.