United Kingdom
A Quiet Passion shows us that there is much more to the mythos of Emily Dickinson than meets the eye, and with Davies’ ever-lyrical vision at hand, the end result is the most comprehensive picture of her that we may ever have.
Indie low-budget vampire horror Night Kaleidoscopee has solid visuals but this is not enough to cover up its paper thin characters and story.
The Sense of an Ending is a commendable effort from both director and cast, yet its underwritten characters become lost in adaptation.
We got a glimpse of three beautifully inventive and genuinely moving short films made by the 18 teenagers in the BFI Film Academy programme.
Gorgeous black and white look aside, Six Rounds proves too underwhelming in the screenplay and character departments to be a true knockout.
Ben Wheatley’s new film FREE FIRE is out today and we spoke with him about the film, his filmography, and the extreme violence in his films.
Free Fire may be far from the best movie of the year, but you are guaranteed to have one of your most fun times at the movies when checking out Wheatley’s latest.
Director Ben Wheatley is one of the most prolific directors in Britain, always directing with a passion that shows in his finished works.
Never scared to experiment with format, or to tell a sincerely personal story, Carol Morley is truly a filmmaker of our time.
Trespass Against Us is a crime film that, though with talent both in front of and behind the screen, fails to develop beyond cliché territory.
Collide is a film that has talent in front of the camera, but they’re wasted through strings of mindless action and laughably poor dialogue.
London Town is a fictional story about a boy in 1970s London meeting up with his music idol, Joe Strummer; it is a mostly entertaining romp.
With finely tuned performances, The Man With Four Legs is also a visual treat, working within a genre that is often difficult to define.
Film Inquiry interviewed Emmanuel Anyiam-Osigwe, the founder of the British Urban Film Festival, which is opening for submissions soon.
Ricky Gervais’ feature length outing for his most beloved character is one of the most emotionally poignant comedies in recent memory.