United Kingdom
Blade Runner 2049 is a blockbuster with brains, heart and an abundance of style, that will certainly reward repeat viewings.
Trophy is unflinching in its approach to trophy hunting. While it lacks definite solutions it more than makes up for with stunning visuals.
God’s Own Country, a unique coming out story, is an amazing directorial debut for Francis Lee despite some minor, forgivable missteps.
The Limehouse Golem finds ways to toy with you at every turn, making it entertaining viewing despite its seemingly conventional premise.
Final Portrait is filled with acute vigor, seamlessly-interwoven humor, impeccable historical accuracy, and superb acting that combine for another Tucci gem.
Lady Macbeth pokes at the romanticized perspective of Victorian-set films, becoming more akin to a macabre neo-noir.
England Is Mine is a blend of fact and fiction, delving into the early life of The Smiths frontman Steven Morrissey.
6 Days is a mostly well-made film based on true events, but its similarity to our current political climate makes it an uncomfortable watch.
Although filled with flaws, this charming mini-sequel, Red Nose Day Actually is hard to criticise due to its good, charitable intentions.
What makes Third Star special is its no-holds-barred approach to terminal illness, coupled with its magnificent cast and script.
Christopher Nolan’s terrific anti-war film divorces itself from any political interpretations to bluntly show the horrors that unfolded at Dunkirk during World War II.
Hampstead offers nothing new in its tired-out genre, serving up uninspired writing and bland direction against a British backdrop.