United Kingdom
Former Velvet Underground singer Nico is the subject of a new warts-and-all biopic. We spoke with the movie’s director and star about the challenges of putting a notoriously difficult woman’s life on screen.
Katee Sackhoff’s ability to pull off an almost solo performance is 2036: Origin Unknown’s saving grace and, ultimately, is what makes it worth any of your time.
Film Inquiry’s Kristy Strouse got to talk to filmmaker Louisa Fielden about her very timely short film People You May Know.
In this first part of The History of British Cinema, we discuss the rise of the studio film in the 1940s and ’50s.
While the premise is nothing new, Calibre’s approach to it is rather refreshing – it’s a confident thriller that constructs tension effectively.
We were able to talk with Milda Baginskaite and Martha Binns, director and star respectively, of the short sci-fi drama 7 Planets, about the creative decisions for this film, and the experience of making it.
The Lighthouse is one of the best locked-room dramas that Britain has ever produced, and it works as an impressive showcase of the talents behind it.
Swimming with Men is a wasted opportunity for what could have been an effective character comedy in the same vein as The Full Monty.
Spidarlings is a love letter to a forgotten era of midnight movies – but in 2018, it feels less revolutionary than in their 70’s heyday.
With more than enough to keep the story moving, Three Identical Strangers is a compelling documentary that keeps the tale moving quickly through twists and turns.
We got a chance to speak to director Finlay Pretsell of cycling documentary Time Trial after it played at Sheffield Doc/Fest.
Whilst not always smoothly or coherently told through the performances and screenplay, Susu is a slightly confused movie with a distinct point to make.
Certainly a crowd pleaser, Zoo is light and easy, yet lacks a certain depth for its subject matter, despite its talented cast, that will leave you wanting more.
Despite its ambition and occasional impressive visual flourish, Monochrome is wrecked by its slow pace, poor writing and dull, unconvincing characters.
Director Isabel Coixet tries to adapt The Bookshop’s source material in its entirety – and it feels incoherent told as a narrative feature.