United Kingdom
Tea With The Dames is a charming documentary, offering the once in a lifetime chance to spend ninety minutes in the company of four iconic actresses.
We spoke with Denise Gough, who stars opposite Keira Knightley in Colette, about her gender defying character, and how she hopes it begins some positive change.
With a minimal budget, Mara will satisfy an audience that enjoys jitters, with just enough scares that as you leave the theatre you might dread your next bout of sleep paralysis.
Not bad but rather bland, The King of Thieves is too simply constructed to fully capitalise on its solid cast and compelling true-life crime story.
If you need to take a break from reading about all of the acclaimed films you’re missing out on seeing at all of fall’s prestigious film festivals, go ahead and watch Final Score.
The Guernsey Literary And Potato Peel Pie Society won’t shock or challenge you, but it will give you a sense of easygoing warmth.
We review three films from the Drunken Film Fest, a festival organized on two continents by two writers from Film Inquiry, Jax Griffin and Arlin Golden.
Yardie is loaded with Idris Elba’s enthusiasm, but feels decidedly less confident in the wake of other recent directorial debuts.
The Children Act is a stirring, well-intentioned piece of classy British cinema that will satisfy but ultimately sadden its intended audience.
Songwriter is a fun and lighthearted look at the process of behind pop music songwriting, with a little bit of a background on the man behind the guitar and mic.
Dusty & Me is a greyhound leap ahead of similar films that have come before but as dog tales go it can’t quite keep the company of classic animal epics – it’s not quite that memorable.
The Little Stranger is a demanding but absorbing thriller – it will not spoon feed you scares, and it’s all the better for it.
Blue Iguana is a fun throwback to 80’s action crime movies, aided by fantastic performances and a punchy script.
The Festival can’t get out of the shadow of The Inbetweeners, but it’s well worth a watch for all fans of the series.
Mad To Be Normal should have been a film vibrating with R.D. Laing’s unique energy, but ends up being unfortunately unengaging.