United Kingdom
Rocketman is big screen entertainment done right, an inventive rock-opera that brims with energy and color.
Meeting Gorbachev is the latest documentary from legendary German filmmaker Werner Herzog. Read the review for more information on the fascinating man.
I Am Durán isn’t structured in the most cinematically exciting way but it’s a story that’s excitingly cinematic.
In Avengement, Scott Adkins graduates from villain status to unflinching antihero, transforming himself into a one-man trauma center.
Nowhere Boy is a coming of age biopic based off of the formative years of John Lennon’s life and his ensuing journey into rock and roll.
On May 17, Phoebe Waller-Bridge’s sarcastic anti-hero, Fleabag returns to the screen one last time,…
While Beats isn’t perfect, the cast is engaging and Welsh’s visual style is lively without falling into nightclub-style movie shot cliches.
Tolkien is competently made, beautifully visualised and at times even excellent, with Nicholas Hoult providing much needed heart in the lead.
Tell It to the Bees is a pretty dreary period piece, and one that doesn’t sit well in the current landscape of queer cinema.
Red Joan is suffocatingly mediocre, a political thriller with no interest in the politics of the story, or anything remotely thrilling.
Jessie Buckley is a star, and the fact she makes Wild Rose almost worth watching is testament to her skill as an actress.
Where Hands Touch is a disappointing and sketchy depiction of a tragic romance during one of history’s darkest periods.
The White Crow boasts an excellent lead performance from Oleg Ivenko, but the central character remains cold and distant throughout.
While groundbreaking or original, The Aftermath is worth seeing for the enticing performances and striking ambience that it establishes.
Whether you opt for the subtitled version or not, one thing is for certain: Babylon is a hidden gem worth seeking out if it comes to your city.