United Kingdom
In the No Time To Die Countdown, Jake Tropila takes a look back at every Bond film in anticipation of the release of the latest entry.
Although it seems to promise an unvarnished view of a topical issue, ultimately The Flood’s refusal to pick a side robs it of any real purpose.
Agatha Christie’s The Pale Horse, though not quite a detective story, seems designed to test the genre’s rules, and also my patience.
Filmed with such a raw, visceral style and nothing less than totally compelling, The Virtues is some of Shane Meadows’ best work.
Pride & Protest is a worthwhile endeavour for viewers, presenting an interesting insight into a rarely-depicted segment of the LGBTQ+ community
Emma is able to seamlessly adapt the Jane Austen novel with all the nuance and pizzazz that it deserves.
As No Time To Die’s release date was pushed to November, Jake Tropila takes this chance to revisit all previous James Bond films, starting off with Dr. No.
The Sonata attempts to be moody, brooding, and dark, only to come off as predictable, cliched, and silly.
Continuing to earn remarkable access and focus on taboo topics, in The Accused: Damned or Devoted? Naqvi turns his lens to Pakistan’s blasphemy law.
Denmark isn’t really interested in trying to answer any questions it raises, instead it is content to muse on the journey of one man who just wants a better life for himself.
Coded Bias makes its primary focus on a the bias of facial recognition and the abuse that technology poses both currently and in the future.
There are real issues to address in Greed, yet there feels to be very little intent to showcase these.
The Rhythm Section has some enjoyable elements, but in the end, this mostly formulaic flick isn’t the female-driven spy thriller we’ve been looking for.
The Personal History of David Copperfield is a truly sincere retelling of Dickens’ story, one that taps into a new contemporary edge and presents itself in a distinctly cinematic fashion.