TV
Year of the Rabbit thrives in its beautiful blending of cinematography, music, and script that all come together to create an experience you do not want to miss.
Ju-On: Origins may not reinvent the formula of the franchise, it still has enough stuff to give the audience a terrifying nightmare.
As Clay and his friends say good by to Liberty High, so too do we to the relevancy and unrelenting focus of a series unafraid to look away.
The performances, writing, direction, and overall energy remain superb, further showing a series that is as confident as it is bold.
Betty is a perfect summer binge that will empower you to go pick up a skateboard and skate your way to the city with a group of friends.
Quiz may not be historically accurate, but by maintaining its ambiguity, Quiz manages to achieve something bigger.
While it attempts to be timely and relevant, throwing jabs at a questionable leader, it leans on cheap humor and shallow narrative constructions.
The absence of parental guidance through the strategic use of antithesis allows Extracurricular to hold its characters accountable for their mistakes.
Dear… gives viewers a visual and auditory display of the power instilled in others when they know they are not alone.
On paper, HBO’s newest comedy Run looks like the perfect romance fantasy. But in the end, Run feels more like a failed attempt.
Zoey’s Extraordinary Playlist has it all: laughs, tears and great tunes, showing that it could be the best new TV show around.
Proving that history is still relevant to the present, The Great is a unique period drama that is part entertaining, brutal, and raunchy all at once.
Hopefully, Little Room can grow beyond a pilot, but in the meantime, it’s a great way to both enjoy new content and support Covid-19 relief funds.
Mrs. America is an extraordinary limited series. It’s wicked, empowering, and, at times, frustrating. Just like a life of almost every woman I know.
Maintaining the humor of season one, the latest season of Ramy is also moving, heartbreaking, and relevant.