TV
The 2010s have been exceptional for the TV industry. We share our top ten!
V-Wars is a light show that falls into the ranks of YA adaptations that encourage guilty pleasure, yet do not require to much commitment.
While Don’t F**k With Cats might be too much for some, with a level of grossness that’s hard to deny, there’s a seedy story that’s hard to ignore.
Netflix’s true crime mini-series The Confession Killer delivers detail after detail in rapid succession in exquisite fashion.
Anchored by a lovable cast and an action-packed trek that crosses dimensions, Marvel’s Runaways ends up going out with a bang.
Silicon Valley’s season 6 got the perfect ending, cementing it as one of the most impactful and highly relevant shows about the technological world.
While it doesn’t push any boundries, Dollface features solid casting, creativity and wit, and enough guest stars to last multiple seasons.
This episode of His Dark Materials expands the show’s reach and vision just beyond one character, so that we can speculate on things to come.
Thanks to its talented and charismatic leads, The Kaminsky Method overcomes any lack of forward narrative momentum.
Though plot-wise Atypical is somewhat formulaic and uses many tropes from the drama/comedy genre, its utilization and handling of these make it a step up from many shows of the same variety.
While it does suffer from a few hiccups along the way, it finds its strength in its source material and its characters, cast and crew.
Not as impactful or satisfying as its daring predecessor, The End of the F***ing World is not the end of the world, but it’s not a crucial send-off either.
The Leftovers is a very deep series series, one that is introspective and personal. It’s subversive, unrelenting, and keeps you on your toes.
Entering Disney+ as its flagship series, The Mandalorian takes place in between Return Of The…
Unfortunately, our hero has fallen victim to the sophomore slump; Jack Ryan has made a lackluster return to our screens for season 2.