Tribeca Film Festival
Spanning the release of her film Hustlers to her Superbowl Halftime performance, Amanda Micheli’s Halftime documents Jennifer Lopez.
With her second report, Kristy Strouse covers Cherry and Next Exit!
Fear and paranoia are the perfect catalysts for mass panic in Natalia Sinelnikova’s We Might As Well Be Dead.
In Sophie Hyde’s Good Luck To You, Leo Grande, the stigma surrounding sexuality and age are examined and pushed.
Cynthia Lowen’s Battleground dives into the realities of an America at war with women’s reproductive rights.
In her first report from Tribeca Film Festival 2022, Kristy Strouse reviews Family Dinner, Huesera & A Wounded Fawn!
At the 2022 Tribeca Film Festival, Patrick Bresnan and Ivete Lucas’ Naked Gardens delves into a secluded nudist colony in Florida.
Ray Ramano makes his directorial debut with Somewhere In Queens, a comedy-drama about an Italian-American family.
Del Kathryn Barton’s Blaze brings intense drama to the 2022 Tribeca Film Festival, as a young girl named Blaze deals with immense trauma.
In her final report, Kristy Strouse reviews Werewolves Within, The Kids, No Future & Ultrasound.
In the Heights follows a small corner of individuals as they face gentrification, immigration, and acceptance of self during the summer’s hottest days.
Film Inquiry spoke with star Charlie Heaton and writers/directors Andrew Irvine and Mark Smoot for No Future.
Kristy Strouse gives us her first Tribeca Film Festival report with three films: No Man of God, Shapeless and Mark, Mary & Some Other People.
In Pray Away, viewers are led into the minds of those who founded, lead, and propagated one of the biggest conversion therapy developers.
While Accepted examines the rise and fall of TM Landry, it’s also a multilayered look of the environment children are thrust into.