trends
Final girls no longer owe us their heartbreak – we take a look at the trend in horror of the final victims becoming final survivors.
When looking at the two most recent of Pixar’s underwhelming sequels, both unquestionably fueled on the nostalgia of its now-grown paying audience, there’s only one clear winner in this fight.
As we move into November, Disney+ and Apple TV+ are hounds baying at the door to our wallets. But how much potential do they really have to disrupt this streaming gold rush?
It is in this moment of burning worlds and a fading hope in humanity that cinema offers its hand. When the most empathetic of mediums loses its patience, it may be time to watch and listen.
We discuss the trend (and often, shortcomings) of truth-based horror, e.g. taking a folktale like La Llorona and making a horror film based around it.
If cinema is to survive as anything resembling what we recognise it as today, then major theatrical exhibitors need to stop pissing into the howling gale that is the streaming revolution.
So many TV shows run out of steam midway through their run. Luckily, Film Inquiry have put together a guide to help keep your show fresh.
We take a look back at motion capture technology, including its beginnings, its present uses, and the recent rises in de-aging technology.
We’re in a shift in the current age of horror, where films tend not to be outright scary, but instead delve more subtly into inborn fears.
With data driving every marketing decision, you would have to assume the five second tease is driving views. Does that mean it’s driving people to the box office? It’s hard to say.
As anime becomes increasingly mainstream in the west, Film Inquiry’s Christina Tucker examines the past and potential future of the genre.
While Stranger Things lavishes in nostalgia, Midnight Special instead longingly looks forward. Here is our discussion and comparison of the two science fiction entries.
Gone is the heyday of the classic 90’s romantic comedy, but why is it that so many contemporary romantic comedies fail?
With the rise of streaming services like Netflix getting in to the movie business, will cinemas be able to survive the competition?
Exploring the role of animated sequels such as Toy Story and Trolls as either worthwhile tales or money making schemes.