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Every Tuesday Film Inquiry publishes the movies that are opening in cinemas! This week: Finding Dory, Central Intelligence, Tickled, The Last King and Clown.
Well, you can’t say that Ben Affleck isn’t trying to capitalize on his success. Since winning his second Oscar for Argo, he’s famously taken over the role of Batman, including writing and directing the upcoming caped crusader’s first solo film in the DC Extended Universe. In addition to that commitment, he’s also peppered in several acting appearances in stand-alone thrillers.
One of the only films that can take on Ghostbusters as the most hated project of 2016 is Ben-Hur. It’s not drawing the same level of public ire, but those with any sense of film history will remember the 1959 epic led by Charlton Heston and immediately wonder why. The complication is that the 2016 Ben-Hur is not a remake of the 1959 film or the 1925 silent version.
Every week Film Inquiry shares the movies that are opening in cinemas! This week: The Conjuring 2, Warcraft, Now You See Me 2, Genius, De Palma, Diary of a Chambermaid, From Afar and King Jack.
Riding into the summer movie season with some neon cool is Nerve, a thriller starring Emma Roberts and Dave Franco. The plot sounds like something out of a Dark Web horror story: an online site that pays players to take dares from watchers quickly escalates into a real-life game of survival for our two protagonists.
It’s a Werner Herzog documentary. So you’re sold, right? Okay, so not everyone’s as gung ho about the raspy filmmaker’s inquisitive wanderings as I am, but putting that man in the director’s chair guarantees a few things about Lo and Behold:
If a July release date for a sumptuous period romance sounds odd to you, wait until you hear the backstory on Tulip Fever. The movie was originally set to film in 2004 with Jude Law and Kiera Knightly in the lead roles, but it was scrapped overnight when the U.K.
Let’s be honest, if you’re stuck in a forest without other people, it’s cooler to pal around with a dragon than with apes. Sorry Tarzan, but Pete had a way better messed up childhood than you. While Pete’s Dragon doesn’t quite fit into the live-action reboot trend that Disney is on, it’s certainly of the same mind.
Is anyone really surprised that one of the biggest companies in the world had a less-than-pristine start? The story of how Ray Kroc took over McDonald’s isn’t a secret, as I recall first hearing about it in my teenage years. It’s not like the shady story has dampened its revenue in any way, so why bother trying to keep all the wheeling and dealing a secret?
Every Tuesday Film Inquiry publishes the movies that are opening in cinemas! This week: Me Before You, Popstar:
Have we all let the farting corpse premise sink into our bones enough to not get distracted? Remember, a movie is not its pitch or its three-line synopsis or even its trailer. The conversation about Swiss Army Man seems to be getting stuck on these points, and as eye-catching as they are, it’s leaving us in danger of settling for knee-jerk reactions instead of giving the movie an honest chance.
When talking about exposé-style documentarians, or documentarians in general, you can’t ignore Alex Gibney. Ever since 2005’s Enron: The Smartest Guys in the Room, he’s been as prolific as he is popular, sparking public interest in everything from the U.
Director Ang Lee returns with his first film in four years, following up the critically and commercially successful Life of Pi with another book adaptation boasting some noteworthy use of technology. Lee has carved out a unique place for himself as an auteur, not looking back longingly to the days of film but exploring and pushing modern digital techniques to enhance character-based filmmaking. Billy Lynn’s Long Halftime Walk sees him combining 3D, 4K resolution, and a very high 120fps frame rate to make the film look as close to natural human sight as possible.
The winner of 2015’s Golden Lion at the Venice Film Festival, From Afar creeps into theaters with some serious credentials. It wouldn’t have come this far if it didn’t, as the story of a complicated relationship between a middle-aged man and a young gang member in Caracas doesn’t exactly scream marketability. If first-time feature director Lorenzo Vigas had been peddling it on his own, it likely wouldn’t have made it out of the festival circuit, no matter how good it was.