trailer

You may not have signed up for that astronomy 101 course, but you probably should get yourself to a movie theater for Terrence Malick’s universe epic Voyage of Time. It’s sure to be gorgeous, and whatever crazy dinosaur behavior Malick puts on the screen will (allegedly) be explained by Brad Pitt or Cate Blanchett, depending on which version you choose. That, or they’ll ramble existentially about the passage of time, because Malick doesn’t need your narrative clarity.

Sometimes the right person ends up at the right place at the right time. Whether you believe in chaos or destiny, it’s moments we all recognize as miraculous, and one of those moments happened when Sully Sullenberger safely landed a commercial jet on the Hudson River. People immediately pinned an exorbitant amount of hope on the incident, and Sullenberger unwittingly became an American hero.

While not the biggest hit at Sundance or Berlin, Indignation walked away from its festival showings with strong buzz for everyone involved, which should be considered a rousing success given the difficult material it’s based on. The narrative density of the average novel by acclaimed writer Philip Roth has long tripped up filmmakers, leading to outright disastrous adaptations like Portnoy’s Complaint and forgotten mediocrity like Elegy. Indignation, even if imperfect, is shaping up to be a rare Roth adaptation that isn’t brushed aside, if only for the crucial moments it falls on in the careers of its director and lead actor.

Jason Statham is back, fighting and killing his way through another of his bread-and-butter action films. The man has established a firm place in the genre, appearing in some of the most violent, action-packed films of the last fifteen years, and Mechanic: Resurrection looks to be aimed right at his core audience.

The wide world of films have long held a place for the meandering soul-searcher. They’re characters that move aimlessly through the world with no end goal in sight. Perhaps they’ve become disillusioned with the world as it is, or perhaps, like in American Honey, they are too young to know all the directions they could go.

Captain Fantastic will likely live or die based on Viggo Mortensen’s performance, as his character is the only one that understands both the isolated world he established for his children and the regular world they must now enter. The hope of what he and his wife were trying to accomplish must be communicated through him, and whatever ramifications come from their decisions will fall squarely on his shoulders. It’s a lonely role in a movie populated by a ton of characters, and it’s hard to come up with a guy more likely to pull it off than Mortensen.

How many people were having flashbacks to the Toy Story series during this trailer? I mean, the supermarket was very reminiscent of Al’s Toy Barn, and the whole premise of giving inanimate objects complex emotional lives that humans eventually wreck is Toy Story as a whole. Except the things we do to our food is way more messed up than simple abandonment, so I guess Jessie doesn’t earn a sad song until Emily pulls a knife on her now.

A new Disney princess is coming our way in Moana, and it looks like she’s continuing Disney’s efforts to make their female characters more reflective of modern women. The film is about Moana’s adventure to find a fabled island, and while she’s accompanied by her pet pig and the demi-god Maui, it’s her skills as a navigator that allow the journey to take place. This teaser, sadly, focuses more on Maui than Moana.