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It’s taken thirteen years for the guys to stage another Christmas heist, but Willie and Marcus are finally back in all their surly glory. They’ve set their sights a bit higher this time, using their Santa and elf routine to infiltrate a large charity group instead of measly department stores. The rude and seemingly uncontrollable antics of Willie put the entire enterprise in jeopardy last time, and thirteen years doesn’t seem to have changed his behavior.

Green Day frontman Billie Joe Armstrong has done a few acting gigs in recent years, but nothing with the heft and screen time of Ordinary World. In the film, Armstrong stars as a rocker in the midst of a mid-life crisis, and his presence is surprising not only as an actor but as a normally aging adult. His character has left the stage behind for normal family life, and with that comes greying hair and a basic style.

Inferno bumps the Robert Langdon film series up to a trilogy, as the symbologist is again swept up in a globetrotting mystery. While not as controversial as the series’ previous entries, The Da Vinci Code and Angels and Demons, the film stills deals heavily with Catholic mythology, this time centering on Dante’s Inferno and its formative influence on the modern idea of hell. It’s not surprising that the series, taken from books of the same name by Dan Brown, have such enduring popularity.

At long last, we have footage for Passengers. Most people have been waiting for this since mid-2015 when news hit that Sony was green lighting a sci-fi romance led by two of the hottest actors in the game. Christ Pratt was flying high off of The Lego Movie, Guardians of the Galaxy, and Jurassic World at the time, while Jennifer Lawrence was still in the midst of both The Hunger Games and X-Men series.

Dane DeHaan, who stole our hearts as the troubled teen in The Place Beyond The Pines, is back again in a romantic drama called Two Lovers and a Bear. The film, directed by Kim Nguygen (whose film Rebelle was nominated for an Academy Award for Best Foreign Language Film in 2013) had its North American premiere at TIFF last week and debuted at Cannes this past spring. Two Lovers And A Bear takes place far-north, in the Canadian province of Nunavut.

With its small scale stated in the title, Certain Women looks like a traditional Kelly Reichardt film. Intimate and low-key, her movies rarely stretch to include more than a handful of characters leading small lives. This minimalist style tests the patience of some viewers, while others find the delicately observed moments riveting.

Prepare yourself for another round of bad boy cops in War on Everyone, the latest from writer/director John Michael McDonagh. While sticking to his earned reputation for sharp-witted and thoroughly inappropriate humor, McDonagh takes a few steps away from his normal setup in his third outing. Gone is Brendan Gleeson and the familiar Irish setting, instead taking advantage of American police’s battered reputation as loose cannons with badges.

As has happened many times before, Christine will be released on the heels of a frightfully similar movie. Both this biopic and the documentary Kate Plays Christine, released earlier this summer, are based on the life of newscaster Christine Chubbuck, who committed suicide live on-air in 1974. While the case has faded from widespread public knowledge, it exists on the fringe thanks to various websites and videos dedicated to the most shocking televised events in history.

Tom Ford isn’t dabbling in filmmaking. While primarily a fashion designer, his 2009 debut A Single Man turned heads not only for its style but its deeply felt rumination on loss. He co-wrote and directed that project, and while its depth was a delightful surprise, it also set the bar very high for his sophomore effort.

The tradition of fraternity hazing is well-known in America, with rush week on campus being synonymous with strange antics and the occasionally harried classmate. The dark side isn’t hidden, either, which 24-hour news companies jump on to fill time. Annual reports of dangerous stunts and the occasional injury or death are treated with a somber tone, questioning why collegiate-level young men take part in such ridiculous antics.

It would be easy to accuse The Girl with All the Gifts of being a fad product. It’s set in a dystopian future, it’s got zombies, and there’s even a chosen one-esque girl at its center. It all seems dreadfully familiar, but a bit of digging reveals that this project is anything but a studio rummaging for profit.

Paul Verhoeven returned to the Cannes Film Festival and to critical favor with his newest movie, Elle. Now that the unusual rape-revenge story is about to be unleashed on the wide world, the remaining question is whether it can be financially viable. Isabelle Huppert stars as said victim, who is otherwise a successful business executive and a fiercely take charge kind of woman.