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At long last, we have footage for Passengers. Most people have been waiting for this since mid-2015 when news hit that Sony was green lighting a sci-fi romance led by two of the hottest actors in the game. Christ Pratt was flying high off of The Lego Movie, Guardians of the Galaxy, and Jurassic World at the time, while Jennifer Lawrence was still in the midst of both The Hunger Games and X-Men series.
Film Inquiry makes a list of the movies that are opening in cinemas every Tuesday. Opening this week: Miss Peregrine’s Home for Peculiar Children, Deepwater Horizon, Masterminds, Clowntown, Maximum Ride, American Honey, Milton’s Secret, Denial, Do Not Resist, Harry & Snowman and Danny Says.
Dane DeHaan, who stole our hearts as the troubled teen in The Place Beyond The Pines, is back again in a romantic drama called Two Lovers and a Bear. The film, directed by Kim Nguygen (whose film Rebelle was nominated for an Academy Award for Best Foreign Language Film in 2013) had its North American premiere at TIFF last week and debuted at Cannes this past spring. Two Lovers And A Bear takes place far-north, in the Canadian province of Nunavut.
With its small scale stated in the title, Certain Women looks like a traditional Kelly Reichardt film. Intimate and low-key, her movies rarely stretch to include more than a handful of characters leading small lives. This minimalist style tests the patience of some viewers, while others find the delicately observed moments riveting.
Prepare yourself for another round of bad boy cops in War on Everyone, the latest from writer/director John Michael McDonagh. While sticking to his earned reputation for sharp-witted and thoroughly inappropriate humor, McDonagh takes a few steps away from his normal setup in his third outing. Gone is Brendan Gleeson and the familiar Irish setting, instead taking advantage of American police’s battered reputation as loose cannons with badges.
As has happened many times before, Christine will be released on the heels of a frightfully similar movie. Both this biopic and the documentary Kate Plays Christine, released earlier this summer, are based on the life of newscaster Christine Chubbuck, who committed suicide live on-air in 1974. While the case has faded from widespread public knowledge, it exists on the fringe thanks to various websites and videos dedicated to the most shocking televised events in history.
Tom Ford isn’t dabbling in filmmaking. While primarily a fashion designer, his 2009 debut A Single Man turned heads not only for its style but its deeply felt rumination on loss. He co-wrote and directed that project, and while its depth was a delightful surprise, it also set the bar very high for his sophomore effort.
Free Fire really isn’t into small talk. It just wants to put some weird characters in a set piece and let the good times roll. That high bar is why it’s imperative that they got quality actors like Oscar winner Brie Larson.
The tradition of fraternity hazing is well-known in America, with rush week on campus being synonymous with strange antics and the occasionally harried classmate. The dark side isn’t hidden, either, which 24-hour news companies jump on to fill time. Annual reports of dangerous stunts and the occasional injury or death are treated with a somber tone, questioning why collegiate-level young men take part in such ridiculous antics.
It would be easy to accuse The Girl with All the Gifts of being a fad product. It’s set in a dystopian future, it’s got zombies, and there’s even a chosen one-esque girl at its center. It all seems dreadfully familiar, but a bit of digging reveals that this project is anything but a studio rummaging for profit.
Film Inquiry compiles a list of the movies that are opening in cinemas every Tuesday. Opening this week: Snowden, Bridget Jones’s Baby, Blair Witch, Mr.
Paul Verhoeven returned to the Cannes Film Festival and to critical favor with his newest movie, Elle. Now that the unusual rape-revenge story is about to be unleashed on the wide world, the remaining question is whether it can be financially viable. Isabelle Huppert stars as said victim, who is otherwise a successful business executive and a fiercely take charge kind of woman.
The original Ouija is the kind of movie that pisses off cinephiles far more than the average moviegoer. It was competently made schlock, a paint by numbers horror film that never took a single chance. If it had faded into obscurity, then none of us would say anything about it.
Julia Hart’s career takes another unexpected turn with Miss Stevens, a dramedy about a struggling teacher escorting three high schoolers to a drama competition. Hart was a teacher herself before writing the period home invasion thriller The Keeping Room, and with her second screenplay she takes on directing as well. While Miss Stevens may seem frothily familiar, I would warn against putting this film in a box.
Welcome to every parent’s nightmare: your kid isn’t just lost in a store but has been whisked away by a train, putting so much distance between you that it’s impossible to reconnect. What would you think after decades of not seeing your child?