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Disney has become a risk-averse production company, heavily reliant on sequels and remakes that have…
Paddington 2 is selling a warmhearted, patient brand of entertainment that families aren’t getting anywhere else, and that will likely make it another smashing success.
The neon-bathed sci-fi/horror movie Flatliners is getting a sequel 30 years later, but you’ll be forgiven for thinking this is a remake.
The kids aren’t alright in the trailer for Step, a documentary following a group of high school seniors in inner-city Baltimore.
With a tagline like ‘Last call, Pitches’, Pitch Perfect 3 seems to be the final hurrah for the Bellas, and they’ll go out with a bang.
One of two live-action Winnie The Pooh films coming soon is Goodbye Christopher Robin, which tells the story of how A.A. Milne got to write his famous stories.
To the Bone is the upcoming Netflix release with Lily Collins as a young woman in the throes of anorexia, directed by Marti Noxon.
Don’t let the inauspicious title fool you; In This Corner of the World has been anything but meek. A box office hit in Japan and a winner at their Academy Awards, its subsequent run on the festival circuit was met with further acclaim.
CBS Films is gunning for a lucrative action series with American Assassin, hoping the best-selling novels from Vince Flynn and Kyle Mills will provide a backbone for the company for years to come.
Hope and talent drives the title character in Patti Cake$, but nearly everything else is stacked against her – her bid for rap stardom is blocked.
Director Matthew Heineman brings audience close to danger again with his latest documentary, City of Ghosts.
In biographical crime film, American Made, a pilot (Tom Cruise) finds work in the CIA as a drug runner in the 1980s.
Coco is the first non-sequel from Pixar since 2015’s The Good Dinosaur, and it’s currently the only one on their official slate.
In Alain Desrochers’ Security, A security guard works to protect a woman who is being targeted by a gang for being a trial witness.
Ana Lily Amirpour continues to play with genre material in The Bad Batch, setting her sophomore film in a Mad Max-style wasteland soaked in violence and sex.