Toronto International Film Festival
Monique Vigneault settle down over tea with Ina Weisse to talk about her latest undertaking: The Audition, a portrait of a frayed music teacher at a prestigious Berlin academy.
My Zoe goes beyond expectations by delving into the emotional ruins of conflicting morality with such perfection, and proves Julie Delpy to be a truly remarkable filmmaker.
Blood Quantum manages to be creative, while somehow also maintaining the zombie apocalypse genre’s known sensibilities.
Prolific British writer-director William Nicholson’s Hope Gap is a charming, yet altogether bleak portrayal of a…
In David Fontana’s final report from TIFF 2019, he covers Judy, The Personal History of David Copperfield and Sound of Metal.
Wilson Kwong spoke with Norwegian filmmaker Jorunn Myklebust Syversen about her new film Disco during Toronto International Film Festival.
In our latest recap from the 2019 Toronto International Film Festival, We look at the films The Truth and Uncut Gems.
Pablo Larraín’s Ema is certainly the most unpredictable, wild, and unconventional study of a frayed woman at this year’s TIFF.
This TIFF 2019 report focuses more on the stranger side of TIFF, including the films Color Out of Space and The Long Walk.
Brent Goldman covers Toronto International Film Festival films Honey Boy and How To Build a Girl.
In this TIFF 2019 report, David Fontana reviews four foreign films: Ordinary Love, Easy Land, August, and Dirt Music.
Marriage Story is amongst Noah Baumbach’s finest works; it is sympathetic and charming, while containing some career-best performances by Scarlett Johansson and Adam Driver.
Simple Women makes for an interesting examination of false effigies and washed-up idols and one thing’s for sure, the two women in focus are most certainly anything but simple.
During TIFF, Wilson Kwong had the chance to sit down with Zaida Bergroth and chat with her about her new film, Maria’s Paradise.